Art HistoriesinFrom Traditional to Contemporary Aesthetic Practices in West Africa, Benin and TogoBibliographyFrom Traditional to Contemporary Aesthetic Practices in West Africa, Benin and TogoAug 16, 2016Aug 16, 2016
Art HistoriesinFrom Traditional to Contemporary Aesthetic Practices in West Africa, Benin and TogoLa Récupération dans l’Art Contemporain Béninois de 1990 à 2012par David GnonhoueviMar 17, 2016Mar 17, 2016
Art HistoriesinFrom Traditional to Contemporary Aesthetic Practices in West Africa, Benin and Togo“There is an earthquake in your mind when you see the art”Interview with the President of the Fondation Zinsou Marie-Cécile ZinsouMar 16, 2016Mar 16, 2016
Art HistoriesinFrom Traditional to Contemporary Aesthetic Practices in West Africa, Benin and TogoTranslative TextilesInterview with Beninese Artist Yves KpedeMar 8, 2016Mar 8, 2016
Art HistoriesinFrom Traditional to Contemporary Aesthetic Practices in West Africa, Benin and TogoStories and Storytellers: The Naming of Textiles in West Africaby William Kynan-WilsonJan 28, 20161Jan 28, 20161
Art HistoriesinFrom Traditional to Contemporary Aesthetic Practices in West Africa, Benin and TogoCyprien Tokoudagba and Dominique Kouas: Querying the Place of the ‘Vernacular’ in Contemporary…by Atreyee Gupta and Verena RodatusJan 28, 2016Jan 28, 2016
Art HistoriesinFrom Traditional to Contemporary Aesthetic Practices in West Africa, Benin and TogoConstructions of Islam in Contemporary West Africaby Mohamed Elshahed and Priyani Roy ChoudhuryJan 28, 2016Jan 28, 2016
Art HistoriesinFrom Traditional to Contemporary Aesthetic Practices in West Africa, Benin and TogoIntroduction: Why Benin?by Hannah BaaderJan 27, 2016Jan 27, 2016
Art HistoriesinFrom Traditional to Contemporary Aesthetic Practices in West Africa, Benin and TogoThe Slaving Port of Ouidah and Monumental Discourse around the Atlantic Perimeterby Saima Akhtar and David H. ColmenaresJan 27, 20161Jan 27, 20161