Sidney Lumet’s Real-Time Storytelling in One-Location Movies
Real-time storytelling in filmmaking captures the essence of events unfolding organically, mirroring the pace of the real world. As such, the passage of time aligns seamlessly for both characters and the audience, fostering a heightened sense of immediacy. This technique, akin to a theatrical experience but with the added nuance of the camera, not only amplifies suspense, tension, and realism but also allows for shooting sequences chronologically. Sidney Lumet, a master of this craft, employed this distinctive approach in his films, Dog Day Afternoon (1975), and 12 Angry Men (1957), particularly in creating intense and engaging stories within a single location.
12 Angry Men (1957)
“12 Angry Men” is a classic film written by Reginald Rose, and directed by Sidney Lumet. The story unfolds primarily in a jury room, where twelve jurors deliberate the guilt or innocence of a young man accused of murder. All but one juror is initially ready to convict the defendant, but as they discuss the case, the lone dissenter raises reasonable doubts. The film explores the dynamics of the diverse jurors as they confront personal biases, prejudices, and the impact of their decisions on a young man’s life. The intense deliberations lead to a powerful examination of justice and jury deliberations.
The play was inspired by Mr. Rose’s own stint on jury duty in the Foley Square courthouse in New York in 1954.
‘’It was such an impressive, solemn setting in a great big wood-paneled courtroom, with a silver-haired judge,’’ Mr. Rose said in a 1997 interview with The Daily News. ‘’It knocked me out. I was overwhelmed. I was on a jury for a manslaughter case, and we got into this terrific, furious, eight-hour argument in the jury room. I was writing one-hour dramas for ‘Studio One’ then and I thought, wow, what a setting for a drama.’’
Source: The New York Time
“12 Angry Men” is considered an important and influential movie for several reasons:
- Cinematic Innovation: The majority of the film’s action set in a single jury room was a groundbreaking cinematic experience at the time. This single-setting approach showcased the power of storytelling and character development within a limited space.
- Character Development: The film delves into the backgrounds and personalities of the twelve jurors, revealing their biases, prejudices, and personal struggles. This focus on character development contributes to the film’s depth and complexity.
- Social Commentary: “12 Angry Men” addresses issues of justice, prejudice, and the flaws in the legal system. It highlights the importance of impartiality and the potential consequences of snap judgments, resonating with societal concerns about fairness and equality.
- Timelessness: The themes explored in the film remain relevant, making “12 Angry Men” a timeless piece of cinema. Its examination of human nature and the flaws in the justice system continues to be thought-provoking for audiences across different generations.
- Acting Excellence: The film features a stellar ensemble cast, including Henry Fonda and other accomplished actors. The performances contribute significantly to the film’s impact and emotional resonance.
- Critical Acclaim and Awards: “12 Angry Men” received critical acclaim upon its release and has since become a classic. It was nominated for three Academy Awards and has consistently been praised for its storytelling, direction, and performances.
- Influence on Legal Dramas: The film has had a lasting impact on the legal drama genre, influencing subsequent movies and television shows that explore the dynamics of jury deliberations and the complexities of the legal system.
The Long Day’s Journey Into Night (1962)
“The Long Day’s Journey Into Night” is a film adaptation of the renowned play of the same name written by Eugene O’Neill. Set in a single day in August 1912, the film delves deep into the complexities of family relationships, addiction, regret, and the relentless pursuit of happiness.
Katharine Hepburn delivers a powerful performance as Mary Tyrone, capturing the character’s fragility and inner turmoil as she battles with her morphine addiction and haunted memories. Ralph Richardson portrays James Tyrone Sr. with depth, portraying the character’s conflicting emotions of regret and pride. Jason Robards and Dean Stockwell also deliver standout performances as Jamie and Edmund, respectively, each bringing their struggles and vulnerabilities to life on screen.
From a “real-time storytelling” perspective, “The Long Day’s Journey Into Night” offers a unique and immersive experience for viewers. The film unfolds over a single day, providing an intimate glimpse into the lives of the Tyrone family in real time. This approach allows audiences to witness the events as they happen, experiencing the emotional highs and lows alongside the characters. By adopting a real-time narrative structure, the film creates a sense of immediacy and urgency, drawing viewers into the intimate moments and raw emotions of the Tyrone family. Every interaction, revelation, and confrontation unfolds in the present moment, heightening the tension and drama of the story.
This storytelling technique also enhances the sense of realism, as it mirrors the passage of time in the characters’ lives. Viewers witness the gradual unravelling of family secrets, the simmering resentments, and the constant struggle against the ghosts of the past in real time, mirroring the way these issues unfold over a day. Furthermore, the real-time perspective allows for a deeper exploration of the characters’ psyches and motivations. As viewers spend an entire day with the Tyrone family, they gain insight into the complexities of each character’s inner world, their fears, desires, and vulnerabilities.
The film is notable for its intense emotional realism and its portrayal of the human condition with unflinching honesty. It received critical acclaim upon its release, particularly for the performances of its cast and Sidney Lumet’s skilful direction. “The Long Day’s Journey Into Night” remains a timeless classic, cherished for its profound exploration of the complexities of family and the human psyche.
Murder on the Orient Express (1974)
“Murder on the Orient Express” is based on Agatha Christie’s novel. Set aboard the luxurious Orient Express train, it follows the famous detective Hercule Poirot, played by Albert Finney, as he investigates the murder of a wealthy American businessman. Lumet’s directorial style is characterised by his focus on meticulous storytelling and ensemble casts, creating an atmosphere of tension and suspense. The film features stellar performances from a cast of distinguished actors, including Lauren Bacall, Ingrid Bergman, and Sean Connery. Lumet’s adaptation is renowned for its atmospheric setting, intricate plot, and attention to detail, making it a beloved classic in the mystery genre.
“Murder on the Orient Express” (1974) stands out as a remarkable example of a one-location film, as the majority of the story unfolds within the confined space of the luxurious Orient Express train. Sidney Lumet’s directorial prowess shines in his ability to create tension and intrigue within this limited setting. By utilizing the train’s compartments and corridors, Lumet maximizes the claustrophobic atmosphere, heightening the sense of confinement and suspicion among the characters.
Moreover, Lumet’s approach to real-time storytelling adds another layer of complexity to the film. The events unfold in sync with the characters’ journey aboard the train, lending a sense of immediacy and urgency to the investigation. As Hercule Poirot meticulously interrogates each passenger and uncovers their secrets, the audience experiences the unfolding mystery in real-time, mirroring the detective’s own process of deduction.
Lumet’s mastery of pacing and tension-building techniques keeps the audience engaged throughout the film’s runtime, as they are drawn deeper into the intricate web of lies and deceit aboard the Orient Express. Through his skilful direction, Lumet transforms what could have been a static and predictable narrative into a riveting and immersive cinematic experience, solidifying “Murder on the Orient Express” as a timeless classic in the realm of one-location and real-time storytelling.
Deathtrap (1982)
“Deathtrap” is a play written by Ira Levin in 1978, and it was later adapted into a film in 1982 and directed by Sidney Lumet. The story revolves around Sidney Bruhl, a successful yet struggling playwright of thrillers, who is experiencing a creative dry spell. Sidney receives a script titled “Deathtrap” from one of his students, Clifford Anderson. The play is not only well-written but also has the potential to be a major success. As Sidney contemplates the idea of staging “Deathtrap” and overcoming his writer’s block, the plot takes unexpected twists and turns. The relationships between characters become increasingly complex, and the line between reality and fiction blurs. The story evolves into a suspenseful and darkly comedic tale of betrayal, murder, and the pursuit of success in the competitive world of theatre. Without giving away too much, “Deathtrap” is known for its clever plot twists and the interplay between the characters as they navigate a web of deception and intrigue. The play and film are praised for their suspenseful atmosphere, unexpected plot developments, and the exploration of the nature of creativity and ambition in the realm of theatrical arts.
“12 Angry Men” and “Deathtrap” exhibit thematic similarities, such as their intense character-driven narratives; however, they diverge significantly in terms of form and style, particularly in real-time storytelling and directing. Although both films centre around a confined setting and feature intense character interactions, “12 Angry Men” strictly adheres to real-time storytelling, highlighting the immediacy of decision-making. On the other hand, while “Deathtrap” does not strictly follow real-time conventions, it shares the intensity of a single-location narrative while incorporating a more intricate and theatrical plot structure.
Sydney Lumet and the creative team behind “12 Angry Men” went to a two-week rehearsal and four-week shoot in a studio set employing opening and closing sequences in the court location in New York, laying the foundation for a minimalist yet suspenseful movie. Although it wasn’t hugely successful at the box office, it made its way to thrive on reruns, remakes, DVD sales, streaming and adaptation in other countries and languages.
