The 70s: One-Location Movies Exploration
The confined yet boundless world of 1970s one-location storytelling in cinema, where the singular setting becomes a character in itself. In an era defined by social upheaval and artistic experimentation, filmmakers continued to embrace the challenge of crafting entire narratives within the walls of a single location. From tense thrillers to intimate dramas, from science fiction to art-house dramas. As the decade unfolded, filmmakers continued to harness the narrative power of confining their stories to a singular space, offering international audiences immersive experiences. This article delves into the realm of 70s cinema, while a prior article covers the 60s: one-location movies exploration.
Five Dolls For An August Moon -5 bambole per la luna d’agosto- (1970)
Five Dolls for an August Moon” is an Italian film directed by Mario Bava. The plot revolves around a group of wealthy individuals who gather on a remote island for a weekend retreat. As the guests indulge in luxury and hedonistic pursuits, tensions rise and secrets are revealed. Soon, members of the group start turning up dead one by one, leading to a thrilling and mysterious investigation to uncover the identity of the killer among them. The film is known for its stylish visuals, suspenseful atmosphere, and twist-filled plot typical of the giallo genre.
The Ear -Ucho- (1970)
“The Ear” (Ucho) is a Czechoslovakian film directed by Karel Kachyňa.
The movie is set during the 1950s, a period of political tension in Czechoslovakia under communist rule. It follows the story of a high-ranking government official named Ludvík and his wife Anna, who begin to suspect that their home is bugged by the secret police. As they search for the source of the eavesdropping, their paranoia intensifies, leading to a breakdown in their marriage and a deep sense of mistrust. The film serves as a powerful allegory for the oppressive atmosphere of surveillance and suspicion that permeated Eastern European societies during the Cold War era. “The Ear” is known for its tense atmosphere, psychological depth, and powerful critique of totalitarian regimes. It offers a compelling portrayal of the psychological toll of living under constant surveillance and the erosion of trust in personal relationships in such an environment.
Blanche (1971)
“Blanche” is a French psychological thriller directed by Walerian Borowczyk. The film follows the story of a young woman named Blanche, who is forced into a loveless marriage with an older, wealthy landowner named Henri. Blanche’s innocence and naivety are exploited by Henri and his family, leading to a series of tragic events. The film explores themes of manipulation, power dynamics, and the corruption of innocence. It’s noted for its atmospheric cinematography and unsettling tone.
The movie was shot in various locations in France, including the Loire Valley region, which provides a picturesque backdrop for the story’s events. The film captures the beauty of the French countryside while also delving into the darker aspects of its characters’ lives.
A Day in the Death of Joe Egg (1972)
“A Day in the Death of Joe Egg” is a British film directed by Peter Medak, based on the play of the same name by Peter Nichols. The story revolves around a couple, Bri and Sheila, who are struggling to cope with the challenges of raising their daughter, Josephine, (having a disability/differently abled) whom they affectionately call “Joe Egg.”
The film takes place over a single day as Bri and Sheila navigate the complexities of their relationship, their interactions with friends and family, and the emotional toll of caring for Joe Egg. The couple copes with their daughter’s condition through humour, but their differing approaches to dealing with their situation strain their marriage. As the day progresses, they confront their conflicting feelings about Joe Egg’s future and their own desires for fulfilment. The film explores themes of love, responsibility, and the limits of human endurance in the face of profound challenges.
Sleuth (1972)
“Sleuth,” is directed by Joseph L. Mankiewicz and based on the play of the same name by Anthony Shaffer. The movie stars Laurence Olivier and Michael Caine in the lead roles. The movie is about a wealthy mystery novelist, Andrew Wyke (played by Laurence Olivier), who invites his wife’s lover, Milo Tindle (played by Michael Caine), to his mansion. Wyke proposes a scheme to Tindle involving theft and deception, leading to a complex game of cat and mouse with psychological twists and turns. “Sleuth” is known for its intense performances, clever dialogue, and intricate plot twists, making it a classic of the mystery thriller genre.
The Bitter Tears of Petra von Kant -Die bitteren Tränen der Petra von Kant- (1972)
“The Bitter Tears of Petra von Kant” is a German film directed by Rainer Werner Fassbinder. It’s a psychological drama that takes place in the apartment of the protagonist, Petra von Kant. The story revolves around Petra, a successful but emotionally troubled fashion designer, and her relationships with other women. Fassbinder’s film is known for its intense performances, intricate character dynamics, and visually striking cinematography. It’s often regarded as a classic of German cinema and a notable example of Fassbinder’s distinctive filmmaking style.
The film explores themes of power dynamics, obsession, and emotional manipulation. It delves into Petra’s complex relationships with her assistant, Marlene, and with Karin, a young aspiring model who becomes the object of Petra’s desire. As the story unfolds, we witness the intense emotional turmoil and psychological games that characterise Petra’s interactions with these women.
Horror Express (1972)
“Horror Express” is a horror film directed by Eugenio Martín. The story is set in 1906 and revolves around an English anthropologist (played by Christopher Lee) who discovers a mysterious creature frozen in ice in Siberia. He decides to transport the creature aboard the Trans-Siberian Express train to Europe for further study. However, things take a terrifying turn when the creature thaws out and begins to wreak havoc on the train, possessing the bodies of passengers and draining them of their life force.
While the train serves as the primary setting, there are occasional scenes that take place outside of it, such as in train stations or brief excursions into the surrounding wilderness. However, these scenes are relatively few compared to the extensive sequences that occur within the train’s confines, where the characters are confined to a relatively small space as they contend with the mysterious creature and its terrifying effects.
The Poseidon Adventure (1972)
“The Poseidon Adventure” is a classic disaster film directed by Ronald Neame and based on the novel of the same name by Paul Gallico. The movie tells the story of the SS Poseidon, a luxury ocean liner on its final voyage from New York City to Athens. On New Year’s Eve, the ship is struck by a massive tsunami caused by an undersea earthquake, which capsizes the vessel. A small group of survivors, led by Reverend Frank Scott (played by Gene Hackman), must navigate their way through the overturned ship in a desperate attempt to reach the hull, where they believe they can be rescued. Facing numerous obstacles, including fire, flooding, and structural damage, the group struggles to stay alive while overcoming their own fears and differences. Along the way, they encounter other survivors, as well as those who have perished in the disaster.
The film is known for its suspenseful storyline, memorable characters, and groundbreaking special effects. It explores themes of courage, sacrifice, and the will to survive in the face of seemingly insurmountable odds.
Silent Running (1972)
“Silent Running” is a science fiction film directed by Douglas Trumbull, who is renowned for his special effects work on films like “2001: A Space Odyssey.” The film is set in a dystopian future where Earth’s ecosystems have been destroyed, and the last remaining forests and plant life are preserved in giant domes attached to a spacecraft named Valley Forge.
The story follows Freeman Lowell (played by Bruce Dern), a botanist and one of the few remaining crew members aboard the Valley Forge, who becomes deeply attached to the last surviving forest dome and its inhabitants. When orders come to destroy the forests and return the ship to commercial service, Lowell rebels and instead chooses to save the last remaining specimens of Earth’s flora.
Lowell kills his fellow crew members and sends the ship on a course into deep space, where he hopes to preserve the last remnants of Earth’s natural beauty. He is accompanied only by three small robots named Huey, Dewey, and Louie, who become his companions as he struggles with loneliness and the weight of his decisions.
While “Silent Running” is not strictly a one-location film in the traditional sense, much of the action and drama take place within the confines of the Valley Forge spacecraft and its attached forest domes. The majority of the film’s events occur within these limited spaces, as Freeman Lowell navigates the ship, tends to the forests, interacts with the robotic drones, and ultimately makes his fateful decisions. The film effectively utilises the confined setting to create a sense of isolation and claustrophobia, as Lowell grapples with his solitude and the weight of his mission. The interior of the Valley Forge becomes not just a setting but almost a character in itself, shaping the mood and atmosphere of the film.
“Silent Running” is not just a science fiction film but also a poignant exploration of environmentalism, humanity’s relationship with nature, and the consequences of unchecked technological progress. It’s a visually stunning film with groundbreaking special effects for its time, and its themes remain relevant today.
Castle of Purity -El castillo de la pureza- (1973)
“Castle of Purity” is a Mexican film directed by Arturo Ripstein. The movie tells the story of a family living in isolation in a dilapidated mansion in Mexico City. The father, Gabriel, portrayed by Claudio Brook, believes the outside world is filled with moral corruption and seeks to protect his wife and three teenage children from it. He enforces strict rules within the household, forbidding his family from leaving the premises or interacting with anyone outside. As the children grow older, they begin to question their father’s extreme measures and yearn for freedom. The tension within the family intensifies as Gabriel becomes increasingly controlling and paranoid, fearing that his family will betray him.
The film delves into themes of authoritarianism, isolation, and the consequences of fanaticism. It is renowned for its atmospheric cinematography and powerful performances, particularly by Claudio Brook in the role of Gabriel. “Castle of Purity” is considered a landmark of Mexican cinema and has gained a cult following for its haunting portrayal of a family trapped within the confines of their own home.
The Big Feast -La grande bouffe- (1973)
“The Big Feast” (La grande bouffe) is a controversial French-Italian film directed by Marco Ferreri. The story revolves around four wealthy, middle-aged friends — Marcello, Ugo, Michel, and Philippe — who decide to indulge in a hedonistic feast where they plan to eat themselves to death. The friends, disillusioned with their lives and feeling trapped by societal expectations, retreat to a luxurious villa. They hire a group of prostitutes to join them and proceed to indulge in an excessive consumption of food and alcohol. As the feast progresses, the friends engage in increasingly depraved behavior, breaking societal taboos and norms.
The film is a dark satire that explores themes of excess, decadence, and the emptiness of bourgeois existence. It’s a commentary on the moral decay of modern society and the pursuit of pleasure at any cost. The characters’ excessive consumption serves as a metaphor for their attempts to fill the void in their lives with material indulgence. Throughout the film, there’s a sense of impending doom as the characters consume themselves into a state of self-destruction. Their gluttony leads to physical and emotional deterioration, culminating in a shocking and grotesque conclusion.
“La grande bouffe” sparked controversy upon its release due to its explicit content and provocative themes. However, it has also been praised for its boldness and uncompromising portrayal of societal decadence. Despite its divisive reception, the film remains a significant work in the history of European cinema, challenging audiences to confront uncomfortable truths about human nature and society.
The Iceman Cometh (1973)
“The Iceman Cometh” is directed by John Frankenheimer, based on the play of the same name by Eugene O’Neill. The story is set in a bar in 1912, where a group of down-and-out individuals gather to drink and escape from their harsh realities. The bar is frequented by a variety of characters, each with their own dreams and delusions.
The central figure is Hickey, a traveling salesman who arrives at the bar with a new outlook on life, claiming to have found happiness through a newfound sense of self-awareness. However, as the night unfolds, it becomes clear that Hickey’s motives are not as pure as they seem, and he gradually reveals the harsh truths about each of the patrons’ lives, forcing them to confront their illusions. Throughout the film, the characters grapple with themes of delusion, despair, and the human capacity for self-deception. As Hickey’s revelations unfold, the patrons are forced to confront the reality of their lives and the lies they tell themselves to cope with their disappointments and failures. “The Iceman Cometh” explores profound existential themes and offers a searing critique of the American Dream and the illusions that people cling to in order to survive.
“The Iceman Cometh” was originally directed by Sidney Lumet in a 1960 television production, broadcast as episodes of The Play of the Week on the NTA Film Network (or NTA).
The Iceman Cometh was written by American playwright Eugene O’Neill in 1939. First published in 1946, the play premiered on Broadway at the Martin Beck Theatre on October 9, 1946.
The Last of Sheila (1973)
“The Last of Sheila” is an American mystery film directed by Herbert Ross and written by Anthony Perkins and Stephen Sondheim. The story revolves around a wealthy Hollywood producer named Clinton Greene, who invites a group of friends on his luxury yacht in the Mediterranean for a game involving solving puzzles related to their personal lives. However, the game turns deadly when one of the guests is murdered, leading to a complex whodunit investigation. The film boasts an ensemble cast including James Coburn, Richard Benjamin, Joan Hackett, James Mason, Dyan Cannon, Raquel Welch, and Ian McShane. As the characters unravel the clues left by Greene, tensions rise, secrets are revealed, and suspicions mount among the group.
“The Last of Sheila” is known for its intricate plot, clever dialogue, and unexpected twists, making it a standout in the mystery genre. The film received positive reviews for its writing, performances, and direction, and has since gained a cult following among fans of classic mysteries.
Murder on the Orient Express (1974)
“Murder on the Orient Express” is a classic mystery film directed by Sidney Lumet and based on Agatha Christie’s novel of the same name. The film boasts an ensemble cast of distinguished actors, including Albert Finney, Lauren Bacall, Ingrid Bergman, Sean Connery, and Vanessa Redgrave, among others.
The story revolves around the famous detective Hercule Poirot, played by Albert Finney, who finds himself aboard the luxurious Orient Express train traveling from Istanbul to Calais. During the journey, a wealthy American businessman named Ratchett, portrayed by Richard Widmark, is murdered in his compartment. Poirot, renowned for his keen intellect and attention to detail, is asked to investigate the murder by the train’s director, Mr. Bouc, played by Martin Balsam. As Poirot delves into the case, he discovers that each passenger aboard the train has a motive and a secret, leading to a complex web of deceit and intrigue.
The film is renowned for its atmospheric setting, intricate plot, and stellar performances. It received critical acclaim upon its release and was nominated for several Academy Awards, including Best Actor for Albert Finney and Best Supporting Actress for Ingrid Bergman, who won the award for her role as Greta Ohlsson.
“Murder on the Orient Express” is considered one of the quintessential adaptations of Agatha Christie’s work and remains a beloved classic among mystery enthusiasts. Its enduring popularity has led to subsequent adaptations in various forms, including television, stage, and a 2017 film directed by Kenneth Branagh.
Before the Corpse of a Leader -Ante el cadáver de un líder- (1974)
“Before the Corpse of a Leader” is a Mexican film directed by Alejandro Galindo. The narrative unfolds when a union leader passes away in a seedy hotel room. Subsequently, his wife, mistress, co-workers, and various other characters converge on the hotel, accompanied by the police, reporters, colleagues, and political figures. Each individual arrives with their own agenda, motivations, and intentions, setting the stage for a complex and riveting exploration of power dynamics, moral ambiguity, and the consequences of political intrigue.
Butley (1974)
“Butley” is a British film directed by Harold Pinter, based on the play of the same name by Simon Gray. The story revolves around Ben Butley, a university lecturer in English literature who is going through a personal and professional crisis. His life begins to unravel as his wife asks him for a divorce, his male lover leaves him for another man, and his career seems to be stagnating. Throughout the film, Butley’s witty and acerbic personality serves as a defence mechanism against the chaos in his life, but also alienates those around him.
The one-location aspect of the film serves to intensify the interpersonal dynamics and conflicts between the characters. With limited physical space, the characters’ interactions become more claustrophobic and emotionally charged. The office setting becomes a microcosm of the protagonist’s unraveling life, reflecting his deteriorating relationships, professional struggles, and existential crisis. The constrained setting also allows the filmmakers to focus more on the dialogue and character development. Without the distraction of various locations, the audience is drawn deeper into the complexities of Butley’s psyche and the intricacies of his relationships with his colleagues, students, and romantic partners.
Furthermore, the single location serves as a visual metaphor for Butley’s stagnant existence. He is trapped not only within the confines of his office but also in his own emotional and intellectual limitations. The lack of movement mirrors Butley’s inability to progress or find fulfilment in his personal and professional life.
The film explores themes of identity, loneliness, and the complexities of human relationships. Alan Bates delivers a powerful performance as Butley, capturing both his intellectual prowess and his vulnerability. “Butley” received critical acclaim for its sharp dialogue, strong performances, and Pinter’s direction. It offers a compelling character study and a thought-provoking exploration of the human condition.
Dark Star (1974)
“Dark Star” is a cult classic science fiction comedy film. It was directed by John Carpenter, who also co-wrote the screenplay with Dan O’Bannon. The film was developed from a student film project by Carpenter and O’Bannon at the University of Southern California.
The story follows the crew of the spaceship Dark Star, whose mission is to destroy unstable planets that might pose a threat to colonisation efforts by humanity. However, after 20 years in space, the crew has become bored and disillusioned with their mission. They pass the time with various activities, including playing practical jokes and engaging in philosophical discussions with the ship’s intelligent bomb, which has developed a personality.
The film combines elements of science fiction, satire, and absurd humor. It’s known for its low-budget production values and its innovative use of special effects given the constraints of its budget. Despite its modest beginnings, “Dark Star” has gained a cult following over the years, particularly among fans of science fiction and cult cinema. One of the most memorable scenes in the film involves the crew trying to deal with a malfunctioning alien mascot, which resembles a beach ball with claws. This scene has become iconic and is often cited as an example of the film’s quirky and irreverent humour.
Overall, “Dark Star” is a unique and offbeat film that showcases the early talents of John Carpenter and Dan O’Bannon, who would go on to achieve greater fame with films like “Halloween” and “Alien,” respectively.
Morel’s Invention -L’invenzione di Morel- (1974)
“Morel’s Invention” (“L’invenzione di Morel” in Italian) is a novel written by Argentine author Adolfo Bioy Casares. It was first published in 1940. The novel is often categorized as science fiction or speculative fiction due to its exploration of themes such as identity, reality, and immortality.
The story is narrated by an unnamed fugitive who takes refuge on a deserted island. There, he discovers the presence of a group of people who seem to be unaware of his existence. These people live out their lives on the island, engaging in various activities and conversations, seemingly oblivious to the narrator’s presence. As the narrator observes these people, he becomes intrigued by a mysterious invention created by a scientist named Morel. This invention, a machine capable of recording and reproducing reality, plays a central role in the narrative. The narrator gradually unravels the secrets of the island, including the true nature of Morel’s invention and its implications for his own existence.
The novel is known for its innovative narrative structure and philosophical themes. It raises questions about the nature of reality, perception, and the consequences of technological advancement. “Morel’s Invention” has been praised for its imaginative storytelling and thought-provoking ideas, and it continues to be regarded as one of Bioy Casares’s most significant works.
“L’invenzione di Morel” was adapted into a film in 1974, directed by Emidio Greco. The film follows the basic premise of the novel, focusing on a fugitive who discovers a group of people on a deserted island and becomes intrigued by Morel’s invention.
The movie received generally positive reviews for its faithful adaptation of the source material and its atmospheric cinematography. However, it is not as well-known or widely discussed as the novel itself. While the film may not have achieved the same level of acclaim or recognition as the book, it remains a notable adaptation for fans of the story and those interested in exploring different interpretations of Bioy Casares’s work.
The Beast Must Die (1974)
“The Beast Must Die” is a British horror film, directed by Paul Annett. It’s based on the 1938 short story “There Shall Be No Darkness” by James Blish. The film is often categorized as a blend of horror and mystery, with elements of a whodunit plot.
The story revolves around a wealthy big game hunter, Tom Newcliffe (played by Calvin Lockhart), who invites several guests to his estate, including scientists, a pianist, a diplomat, and others. Newcliffe reveals to his guests that one among them is a werewolf, and he plans to hunt down the creature before it can kill again. He employs various surveillance methods and psychological tactics to uncover the identity of the werewolf among them.
The film is notable for its unique concept of combining the werewolf theme with a traditional mystery setup, where the audience is also invited to guess the identity of the werewolf alongside the characters. It features suspenseful moments, atmospheric settings, and a tense atmosphere as the characters try to unravel the mystery while being hunted themselves.
Despite receiving mixed reviews upon its release, “The Beast Must Die” has gained a cult following over the years for its innovative approach to the werewolf genre and its blend of horror and mystery elements.
The Taking of Pelham One Two Three (1974)
“The Taking of Pelham One Two Three” is a classic crime thriller film directed by Joseph Sargent. The movie is based on the novel of the same name by Morton Freedgood under the pseudonym John Godey. It stars Walter Matthau, Robert Shaw, Martin Balsam, and Hector Elizondo.
The story revolves around a group of criminals who hijack a New York City subway train (identified by its radio call sign, “Pelham One Two Three”) and demand a ransom for the passengers’ safe release. The hijackers, led by a cold and calculating figure named Mr. Blue (played by Robert Shaw), give the city authorities one hour to meet their demands, or they will start executing hostages. Walter Matthau portrays Lieutenant Zachary Garber, a transit police officer who finds himself in charge of negotiating with the hijackers. As the clock ticks down, Garber and the city’s officials must race against time to thwart the hijackers’ plans and save the hostages.
The film is renowned for its gritty portrayal of New York City in the 1970s, as well as its suspenseful plot and memorable performances. It’s considered a classic of the heist and thriller genres, known for its sharp dialogue, tense atmosphere, and intricate cat-and-mouse game between the hijackers and the authorities. The movie has been influential in the crime thriller genre and has been referenced and remade several times since its release.
The Towering Inferno (1974)
“The Towering Inferno” is a classic disaster film released in 1974, directed by John Guillermin. It is based on two novels, “The Tower” by Richard Martin Stern and “The Glass Inferno” by Thomas N. Scortia and Frank M. Robinson. The film boasts an ensemble cast featuring Hollywood legends such as Paul Newman, Steve McQueen, William Holden, Faye Dunaway, Fred Astaire, and many others.
The plot revolves around the opening ceremony of the world’s tallest skyscraper, the Glass Tower, located in San Francisco. However, a fire breaks out due to electrical malfunctions, quickly spreading throughout the building. As the fire rages, the building’s architect (played by Paul Newman) and the fire chief (played by Steve McQueen) work together to rescue the trapped guests and find a way to extinguish the flames.
“The Towering Inferno” is renowned for its spectacular special effects, intense action sequences, and the suspenseful portrayal of a disaster scenario. It was a massive commercial success and received critical acclaim, earning multiple Academy Award nominations and winning three Oscars for Best Cinematography, Best Film Editing, and Best Original Song for “We May Never Love Like This Again” performed by Maureen McGovern. The film’s success also contributed to the popularity of disaster movies during the 1970s.
I, You, He, She -Je Tu Il Elle- (1974)
“Je Tu Il Elle” is a Belgian film directed by Chantal Akerman. The film is minimalist in its approach, focusing on the experiences of a young woman, played by Akerman herself, as she navigates through various existential and emotional crises. The title “Je Tu Il Elle” translates to “I You He She” in English, which reflects the central themes of identity, desire, and connection explored throughout the film.
The story is divided into three parts. The first part depicts the protagonist’s solitary existence in her apartment, where she engages in mundane activities such as rearranging furniture, writing letters, and consuming sugar. The second part shows her hitchhiking journey across Belgium, where she encounters different people and experiences moments of intimacy and detachment. The third part involves her visit to an old female acquaintance, leading to complex dynamics of desire and power.
“Je Tu Il Elle” is characterized by long, static shots, minimal dialogue, and a deliberate pacing, which contribute to its meditative and introspective atmosphere. Akerman’s portrayal of female subjectivity and sexuality, as well as her exploration of themes such as isolation and longing, have earned the film critical acclaim and recognition as a landmark of feminist and experimental cinema.
From a one-location movie standpoint, “Je Tu Il Elle” is a particularly interesting example. While the film does not solely take place in one location, a significant portion of it unfolds within the confines of the protagonist’s apartment. This single setting serves as the primary backdrop for the exploration of the protagonist’s internal world and existential journey. The apartment setting in “Je Tu Il Elle” is crucial in conveying themes of isolation, confinement, and introspection. Through long, static shots within this space, viewers are immersed in the protagonist’s solitude and sense of detachment from the outside world. The repetitive actions and mundane activities she engages in highlight the monotony and routine of her existence, further emphasizing her emotional state.
Additionally, the apartment setting allows for an intimate examination of the protagonist’s psyche. As she writes letters, rearranges furniture, and engages in solitary rituals, viewers gain insight into her inner thoughts and desires. The minimalistic design of the apartment enhances the focus on the protagonist and her internal journey, creating a sense of intimacy and intensity throughout the film.
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975)
“Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles” is a critically acclaimed Belgian film directed by Chantal Akerman. It’s often hailed as a landmark work in feminist cinema and avant-garde filmmaking.
The film follows the life of Jeanne Dielman, a widowed mother who lives with her son in Brussels. The narrative unfolds over the course of three days, during which Jeanne performs her daily routines meticulously and with great precision. She engages in household chores, prepares meals, and engages in acts of prostitution to support herself and her son. This film’s exploration of female identity and the pressures of societal expectations garnered widespread critical acclaim.
What’s striking about “Jeanne Dielman” is its minimalist approach and its focus on the mundane details of Jeanne’s life. Akerman deliberately slows down the pacing of the film, emphasising repetitive tasks and creating a sense of monotony and tension. The film’s real-time sequences and long takes immerse the viewer in Jeanne’s world, inviting reflection on the nature of domestic labor, gender roles, and the alienation of modern life.
The entirety of the movie takes place within the confines of Jeanne Dielman’s apartment in Brussels. This singular location serves as the backdrop for the unfolding of Jeanne’s daily routines and the events that shape her life over the course of three days. The choice to confine the action to a single location is a deliberate one by director Chantal Akerman. It intensifies the focus on Jeanne’s domestic space, highlighting the repetitive nature of her tasks and the sense of confinement that characterizes her existence. The apartment itself becomes a central character in the film, reflecting Jeanne’s emotional state and serving as a microcosm of her inner world.
The Bullet Train -Shinkansen daibakuha- (1975)
“The Bullet Train” (Shinkansen Daibakuha) is a Japanese disaster film. Directed by Junya Sato, the movie revolves around a group of terrorists who plant a bomb on a bullet train (Shinkansen) traveling from Tokyo to Hakata. The bomb is set to detonate if the train’s speed drops below 80 kilometers per hour, threatening the lives of the passengers on boa
“The Bullet Train” is known for its intense action sequences and suspenseful plot as the passengers and authorities race against time to prevent a catastrophe. The film also explores themes of heroism, sacrifice, and the pressure of making life-or-death decisions in a crisis situation. The film features an ensemble cast including Ken Takakura, Sonny Chiba, and Ken Utsui, among others. Ken Takakura plays the role of a detective who boards the train to apprehend the terrorists and defuse the bomb before it explodes.
Despite being released in 1975, “The Bullet Train” remains popular among fans of Japanese cinema and is considered a classic in the disaster genre. Its success has led to various adaptations and homages over the years, cementing its place in Japanese pop culture.
The Noah (1975)
“The Noah” is a science fiction film directed by Daniel Bourla. The movie is set in a post-apocalyptic world where a global ecological disaster has ravaged the Earth. In this desolate landscape, humanity is facing extinction due to the scarcity of resources and the proliferation of violent gangs.
The story revolves around Noah (played by Robert Strauss), a lone survivor who lives in a makeshift shelter with his wife, Sarah (played by Sally Kirkland), and their daughter. Noah spends his days scavenging for food and water while defending his family from the dangers lurking outside their shelter. However, Noah’s fragile existence is disrupted when a group of marauders discovers their hideout and threatens their survival. As tensions escalate, Noah is forced to confront his inner demons and make difficult choices to protect his loved ones.
“The Noah” explores themes of survival, human nature, and the consequences of environmental destruction. It offers a bleak yet thought-provoking depiction of a world on the brink of collapse and the lengths people will go to in order to survive.
Inserts (1975)
“Inserts” is a unique and somewhat controversial film directed by John Byrum. The movie is set in Hollywood during the early 1930s and revolves around a group of characters in the film industry, particularly focusing on a once-successful silent film director named Boy Wonder and his struggle to adapt to the advent of sound in movies.
What sets “Inserts” apart is its daring and often unsettling subject matter. The film delves into the seedy underbelly of Hollywood, exploring themes of decadence, desperation, and sexual exploitation. The story takes place almost entirely within the confines of Boy Wonder’s dilapidated mansion, which has been converted into a makeshift film studio where he shoots low-budget pornography.
“Inserts” received mixed reviews upon its release, with some critics praising its audacity and dark humor, while others found it disturbing and morally objectionable. Despite its controversial nature, the film has gained a cult following over the years for its unconventional storytelling and uncompromising portrayal of the film industry’s darker side.
The Prisoner of Second Avenue (1975)
“The Prisoner of Second Avenue” is a comedy film directed by Melvin Frank and based on the play of the same name by Neil Simon. The film stars Jack Lemmon and Anne Bancroft in the lead roles.
Set in New York City, the story revolves around a middle-aged couple, Mel and Edna Edison, who live in a Manhattan apartment. Mel loses his job, which plunges him into a midlife crisis, and Edna tries to support him through the difficulties they face. As Mel struggles with his unemployment, the pressures of city life, and various comedic mishaps, the couple’s relationship is put to the test.
The film explores themes of urban life, economic insecurity, and the strains on marriage, all through the lens of humor and wit characteristic of Neil Simon’s writing. Lemmon’s portrayal of the beleaguered Mel garnered praise, as did Bancroft’s performance as his supportive but frazzled wife.
Assault on Precinct 13 (1976)
“Assault on Precinct 13” is an action thriller film written and directed by John Carpenter. The movie revolves around a police precinct in Anderson, a crime-ridden part of Los Angeles, which is scheduled to be closed. On its last day of operation, a small group of police officers and staff, along with a handful of prisoners, find themselves under siege by a ruthless street gang. The film follows the escalating conflict between the police and the gang members who are determined to storm the precinct and kill everyone inside. As the siege intensifies, the characters must band together to survive and fight off the attackers.
The film demonstrates the effectiveness of the one-location concept by immersing the audience in the siege alongside the characters. With limited space and resources, the filmmakers are able to focus on the development of the characters, the dynamics between them, and the escalating tension as the situation becomes increasingly dire.
By confining the action to a single location, “Assault on Precinct 13” maximizes its impact, creating a sense of urgency and isolation that drives the narrative forward. This approach allows the filmmakers to explore themes of survival, loyalty, and the thin line between law and chaos within the confines of a tightly controlled environment.
Don’s Party (1976)
“Don’s Party” is Australian comedy-drama film directed by Bruce Beresford. It is based on the play of the same name by David Williamson, one of Australia’s most prominent playwrights. The film is set during the 1969 Australian federal election and revolves around a group of friends who gather for a party to watch the election results.
The story primarily focuses on Don Henderson, played by John Hargreaves, who is hosting the party at his home. As the night progresses and the alcohol flows, tensions rise, and the characters’ true personalities and frustrations come to the surface. The film explores themes of marriage, politics, masculinity, and the changing social dynamics of Australian society in the late 1960s.
“Don’s Party” is known for its sharp dialogue, insightful portrayal of Australian culture, and its commentary on the state of Australian politics and society at the time. It received critical acclaim upon its release and is considered a classic of Australian cinema. The film was also nominated for several Australian Film Institute Awards, including Best Film and Best Director, and won Best Adapted Screenplay for David Williamson.
Muder by Death (1976)
“Muder by Death” is a classic American comedy-mystery film directed by Robert Moore and written by Neil Simon. The movie features an ensemble cast including Eileen Brennan, Truman Capote, James Coco, Peter Falk, Alec Guinness, Elsa Lanchester, David Niven, Peter Sellers, Maggie Smith, Nancy Walker, and Estelle Winwood.
The plot revolves around a group of famous detectives, each a parody of well-known fictional sleuths, who are invited to a secluded mansion by the mysterious Lionel Twain, played by Truman Capote. Once there, they find themselves embroiled in a bizarre murder mystery where they must use their skills to solve the crime.
The film is known for its witty dialogue, eccentric characters, and clever homage to the detective genre. It’s a blend of comedy and mystery, with plenty of twists and turns to keep the audience entertained. “Murder by Death” has since gained a cult following and is considered a classic in the genre of parody films.
Autumn Sonata -Höstsonaten- (1978)
“Autumn Sonata” is a 1978 film directed by the legendary Swedish filmmaker Ingmar Bergman. The film revolves around a complicated mother-daughter relationship and delves into themes of forgiveness, regret, and emotional reconciliation.
The story follows Eva (played by Liv Ullmann), who lives a quiet and somewhat isolated life with her husband Viktor (played by Erland Josephson) in a rural area. One day, Eva’s mother, Charlotte (played by Ingrid Bergman), a famous pianist, pays her a visit after a seven-year absence. Their relationship is strained due to Charlotte’s neglect and self-absorption throughout Eva’s life.
As the story unfolds, tensions between mother and daughter rise to the surface as they confront their unresolved issues. Eva harbors resentment towards Charlotte for abandoning her emotionally in childhood, while Charlotte struggles with guilt and regret for neglecting Eva and her sister in pursuit of her career. The film explores the complexity of their bond as they navigate through painful memories and confrontations.
The emotional climax of the film occurs during a heart-wrenching scene where Eva confronts her mother about the pain she has caused her. Through a series of intense dialogues and emotional revelations, both women come to terms with their past and seek a form of reconciliation.
“Autumn Sonata” is renowned for its powerful performances, particularly by Ingrid Bergman and Liv Ullmann, as well as for Bergman’s masterful direction, which captures the emotional turmoil of the characters with depth and sensitivity. The film remains a poignant exploration of the complexities of familial relationships and the enduring impact of unresolved conflicts.
“Autumn Sonata” is not typically considered a one-location movie, as it features various settings throughout the film. While a significant portion of the story takes place in Eva’s home where much of the emotional drama unfolds, there are also scenes set in other locations such as a train station, a nearby village, and flashback sequences to different periods in Eva and Charlotte’s lives.
However, the majority of the film does indeed take place within Eva’s home, and the confined setting contributes to the intense, claustrophobic atmosphere of the story, emphasising the emotional tension between the characters. So while it’s not strictly a one-location movie, the film does utilize its primary setting effectively to heighten the emotional impact of the narrative.
Dawn of the Dead (1978)
“Dawn of the Dead” is a horror film directed by George A. Romero. The story follows a group of survivors of a zombie apocalypse who take refuge in a shopping mall. As they barricade themselves inside, they face not only the relentless onslaught of the undead but also the internal conflicts and tensions that arise among themselves.
The film explores themes of consumerism, societal collapse, and human nature under extreme circumstances. As the survivors try to fortify their new home and navigate the dangers within and outside the mall, they must confront their own fears and desires while struggling to stay alive. “Dawn of the Dead” is known for its social commentary, graphic violence, and dark humour, and it has become a cult classic in the horror genre.
Death on the Nile (1978)
“Death on the Nile” is a murder mystery film directed by John Guillermin, based on Agatha Christie’s novel of the same name. The story revolves around renowned Belgian detective Hercule Poirot, portrayed by Peter Ustinov in this adaptation.
Set in the 1930s, the film follows Poirot as he embarks on a vacation in Egypt, where he plans to relax and enjoy the sights. However, his plans are disrupted when he becomes entangled in a complex murder case. While aboard a luxurious riverboat cruising along the Nile River, a wealthy heiress named Linnet Ridgeway (played by Lois Chiles) is found murdered. Poirot is called upon to investigate the crime, navigating a web of deceit, jealousy, and hidden motives among the boat’s passengers.
As Poirot delves deeper into the case, he uncovers a multitude of suspects, each with their own secrets and potential motives for wanting Linnet dead. The investigation takes Poirot and the audience on a journey through the stunning Egyptian landscape, from ancient ruins to opulent hotels, as he uses his keen powers of deduction to unravel the truth behind the murder.
“Death on the Nile” is celebrated for its stellar ensemble cast, including Mia Farrow, Simon MacCorkindale, Angela Lansbury, Bette Davis, Maggie Smith, and David Niven, among others. The film offers a gripping blend of suspense, intrigue, and classic whodunit storytelling, capturing the essence of Agatha Christie’s beloved mystery novel.
Alien (1979)
“Alien” is a science fiction horror film directed by Ridley Scott. The film follows the crew of the commercial space tug Nostromo, who encounter a deadly extraterrestrial creature aboard their ship.
The story begins when the Nostromo receives a distress signal from a nearby planet. Obliged to investigate, the crew lands on the planet and discovers a derelict alien spacecraft. Inside, they find a chamber filled with strange egg-like objects, one of which releases a creature that attaches itself to one of the crew members, Kane. Back on the Nostromo, the creature, known as a xenomorph, grows rapidly and begins to hunt down the crew one by one. As the crew struggles to survive and escape the deadly creature, they uncover the true intentions of the corporation that owns their ship, which sought to obtain the alien for use as a biological weapon.
The film is known for its tense atmosphere, innovative special effects, and iconic creature design by artist H.R. Giger. “Alien” was a critical and commercial success and spawned a franchise that includes sequels, prequels, novels, comics, and video games.
While “Alien” primarily takes place on the spaceship Nostromo, it does involve multiple locations within the ship itself, including various decks, corridors, and rooms. The initial part of the film also includes scenes on the surface of the planet where the crew discovers the alien spacecraft. Therefore, “Alien” may not be classified strictly as a one-location film, but it does predominantly focus on the claustrophobic setting of the spaceship Nostromo, creating a sense of confinement and isolation that contributes significantly to the film’s atmosphere and tension.
So grab your popcorn and settle in for a cinematic journey through the stylish, sophisticated, and sometimes sinister world of 1970s one-location movies. From the avant-garde to blockbuster movies, that are sure to dazzle and delight.
