Grey London & Volvo Protect Cyclists with Creation of ‘LifePaint’

Leading the way in safety innovation, the luxury car marque launches something to protect those outside its cars…an invisible spray which reflects headlights in the dark.

Grey London
6 min readMar 27, 2015

Volvo has always taken safety seriously. They invented the three-point seat belt in 1959 and then opened up the patent so that any car manufacturer could use it. Now they’re giving away a product to take Volvo safety beyond its cars.

Volvo introduces Life Paint.

LifePaint is a unique reflective safety spray aimed at increasing the visibility and safety of cyclists, and other vulnerable road users. Invisible by daylight, it glows brightly in the glare of car headlights, making the invisible, visible at night.

Though designed for safer cycling, LifePaint can be applied to any fabric — clothes, shoes, pushchairs, children’s backpacks — even dog leads and collars. It is transparent, washes off and will not affect the colour or surface of your chosen material, lasting for approximately one week after application.

Available from today, LifePaint will be trialed in six London and Kent-based cycle shops, including Peloton in Spitalfields, where cyclists can get one of 2000 cans being given away. This is the first phase. If LifePaint proves popular, the project will expand nationally and internationally.

The best way to survive a crash, is not to crash.

The LifePaint concept was developed by creative agency Grey London, in collaboration with Swedish startup Albedo100 and is one of a series of projects to highlight the key product innovations of the all-new Volvo XC90.

“Our job isn't just to advertise our clients,” said Nils Leonard, chairman and CCO of Grey London, “it’s to help them make a positive impact on culture. With the creation of LifePaint, we've turned Volvo safety inside out, giving it away to the most vulnerable road users. What more positive action can a brand take than to try to save lives?”

The initiative marks another step by Volvo to promote safety for those both inside and outside its cars. It builds on the development of Intellisafe, a state-of-the-art Volvo safety system which integrates some of the most cutting-edge safety technologies to Volvo cars.

The technology uses a combination of radar sensors and cameras to identify other vehicles, pedestrians and cyclists and automatically brake if the driver fails to take the necessary action. This works in conjunction with Volvo’s Active Bending Headlights, which adjust left to right according to the steering input to help see round corners better.

Intellisafe’s unique pedestrian and cyclist detection system, enhanced to work in darkness on the all-new Volvo XC90 to be introduced to the UK in June this year, was the inspiration for the LifePaint project. Together, these innovations contribute towards Volvo’s Vision 2020 — the concept that that no one should be killed or seriously injured in a new Volvo by 2020. LifePaint is the physical embodiment of Intellisafe.

Design a remarkable product and then launch it with the same level of craft



To promote the product and showcase its properties, Grey London has created an online film featuring interviews with a wide range of cyclists, from commuters, to couriers to accident survivors. Introducing LifePaint with a dramatic demonstration of the product in action, the agency spent three nights shooting in London, testing the spray and working out how to rig lights to mirror the effects of headlights.

The agency also built a site volvolifepaint.com to house the project and direct people to retail outlets, stream Instagram images from the first customers via #volvolifepaint, and link to the advanced safety technology on Volvo.com.

Grey London has also been testing new print technology, using LifePaint to create ‘invisible’ black posters that only reveal themselves in the flash of a smartphone.

Grey London Creative Director, Hollie Newton said: “This is the sort of work we want to be making. Properly integrated innovation. Design a valuable, remarkable product for a brand, and then launch it with the same level of craft.”

Adrian Walsh, Director of RoadSafe, a leading forum for promoting and devising solutions to road safety problems, said: “Driving a car is a complex and demanding task. In poor light conditions it becomes even harder, especially in towns and cities where the road is often shared with cyclists and pedestrians. This innovative technology will certainly help to make it a safer place and it is really encouraging to see a manufacturer reaching out to make pedestrians and cyclists less vulnerable.”

Nick Connor, Managing Director at Volvo Car UK, said: “Every year more than 19,000 cyclists are injured on the UK’s roads. At Volvo, we believe that the best way to survive a crash is not to crash, and are committed to making the roads a safer place by reducing the number of accidents.

“Volvo is a world-leader in safety technology, and we are proud to be extending our reach beyond just those driving our cars. By making cyclists increasingly visible as well as increasing the safety capabilities of our cars, we are doing our utmost to protect everyone on the road.”

CREDITS:

Creative Agency: Grey London

Chief Creative Officer: Nils Leonard

Creative Director: Hollie Newton

Creative Team: Jonas Roth, Rasmus Smith Bech

Account Team: Cristyn Bevan, Sophie Critchley, Alex Nixon

Planning: Wiktor Skoog

Head of Film: Glenn Paton

Integrated Producer: Francesca Mair

Assistant Producer: Talia Shear

Designer/ Typographer: Chris Chapman

Creative Producers: Helen Llewelyn, Glen McLeod

LifePaint Collaborators: Albedo100

Production Company: Caviar

Director: Andrew Telling

DOP: Jeremy Valender

Executive Producer: Louise Gagen

Producer: Adam Smith

Editor: Matt Newman at GreyWorks

Colourist: Julien Biard at Finish

Post Production: Gramercy Park Studios

Sound Design: Munzie Thind at Grand Central Studios

Music Composition: Adam Halogen through Wake The Town

Microsite: Paul Cackett, Piers Cleveland-Copeman and Johan Runge-Goransson @ clear.as

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