In the Absence of Yes

On the sixteenth — or thirty-seventh — rejection

M. Allen Cunningham
7 min readApr 28, 2017

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Listen to this essay on Cunningham’s podcast In the Atelier:

Yesterday brought a new rejection letter to my door. It arrived, as do they all, in a white business envelope self-addressed some months before. The rejection was of the paper-saving variety favored by today’s quarterlies, a Xeroxed quarter-page containing a terse, pre-printed message amounting to: “Nope, not this time and probably not ever.”

The submission in question was an essay that took me a year to write, which shaped up to be a learned, provocative, and personal exploration of a subject in which I hold established credentials (the long, humbling writing process allows me to say so without delusion or inordinate pride). Upon its completion, I prepared submissions and dispatched them to the mail with the warming prophetic tingle that often accompanies work well done: this thing was bound to see publication someplace worthy of it, i.e., one of our more distinguished literary magazines.

The first several rejections rolled in, each accompanied by a personal note from an editor complimenting the essay and then professing equal remorse for refusing it. I sealed, stamped, and mailed further…

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M. Allen Cunningham

Author of the novels Q&A, Perpetua’s Kin, The Green Age of Asher Witherow, Lost Son (about Rilke), Partisans. Founder of Atelier26 Books. MAllenCunningham.com