John Ruskin on Soulful Imperfection

“To banish imperfection is to destroy expression.”

Listen to this essay on Cunningham’s podcast In the Atelier:

Throughout the whole second half of the nineteenth century “to read [John] Ruskin was accepted as proof of the possession of a soul.” So the great art historian Kenneth Clark once put it.

Ranking high among the eminent figures of the Victorian age, Ruskin was a man of many passions: poet, artist, critic, teacher, social reformer, and early conservationist. He stood staunchly against the dehumanizing effects of England’s Industrial Revolution, defending the human dignity of the laborer and celebrating the “nobility” of “unrefined” objects manufactured by the skill of humans rather than machines. These man-made objects, he insisted, “bring out the whole mind” and “the finer nature” of the laborer. In contrast was the machine-made product, which asked nothing of the workman’s soul but that he subordinate himself to the laws of the assembly line — hence: ugly, soulless, mass-produced items, and human workers degraded to automatons.

To Ruskin, labor and art need not be polarized as the ethos of the modern factory would have it. Rather, labor should be more than a matter of…