Margaryta GolovchenkoinThe CoilDreamy Mystery & Fantasy: On William Vandenberg’s ‘Lake of Earth’Book Review by Margaryta GolovchenkoOct 12, 20232Oct 12, 20232
Margaryta GolovchenkoinThe CoilConsumption-as-Domination: On Charles Foster’s ‘Being a Beast‘Book Review by Margaryta GolovchenkoJul 17, 20231Jul 17, 20231
Margaryta GolovchenkoinThe CoilConnecting to Readers across Time: On Anna Hope’s ‘The Ballroom’Book Review by Margaryta GolovchenkoJun 15, 20231Jun 15, 20231
Margaryta GolovchenkoinANMLY“Burn it down, dog”: The Poetic Theory of Fran Lock’s “Hyena! Jackal! Dog!”Oct 4, 20212Oct 4, 20212
Margaryta GolovchenkoinANMLYHonoring the Lineage: The Epic and Historic in Phillis by Alison ClarkeSep 9, 2021Sep 9, 2021
Margaryta GolovchenkoinANMLY(Re)making the Self Through LanguageA review of torrin a. greathouse’s “Wound from the Mouth of a Wound”Jul 21, 2021Jul 21, 2021
Margaryta GolovchenkoinANMLY“Where should I stand?” A Review of Sachiko Murakami’s ‘Render’Render’s entirety orbits around this series of definitions like our planet does a star, forming a thematically tight collection of poemsFeb 2, 2021Feb 2, 2021
Margaryta GolovchenkoinANMLY“Language delivers me to me” — A Review of Alice Notley’s ‘For the Ride’Notley’s newest collection offers a potential answer to this question, simple in wording but by no means in its implication: “Language…Dec 15, 2020Dec 15, 2020