How to Earn Money From Your Creative Work: Part 2 (Finding THE AUDIENCE)
Before you can make money from your creative work — before you can even ask for money for your creative work — you need to find your audience.
Which, in keeping with the conventions of this blog, we’re going to call THE AUDIENCE.
Finding THE AUDIENCE is a creative project in and of itself, which is one of the reasons some creative people hire other creative people, e.g. publicists, to help them.
It’s also one of the reasons people sell the rights to their work to a larger company, e.g. a publishing house or a record label. These entities are theoretically supposed to find the audience for you, although lately it’s become more of a collaboration and many artists feel pressure to prove that they already have an audience (you’ll see this called “the platform”) during the early stages of this process, e.g. when querying agents.
At its core, finding THE AUDIENCE is a simple process.
All you have to do is put your work in front of people who might be interested in it.
Until you have enough people to form THE AUDIENCE.
You also have to maintain the interest of the people who initially showed interest in your work, but you can generally do that by creating NEW WORK on a REGULAR BASIS and putting that in front of them as well.
In fact, every time you create NEW WORK, you have the opportunity not only to maintain and/or grow the interest of your current audience, but also to share your work with new people who might become part of THE AUDIENCE — and might be interested in both the NEW WORK and your back catalog.
That’s also how you make money from your creative work. You put it in front of people who might be interested in it, over and over.
Then, when enough people are interested, you give them the opportunity to participate in the creative work by paying for it.
I’m using the word “participate” deliberately; as you might remember from my post on play vs. performance, a successful piece of creative work is an experience that includes THE AUDIENCE — and people are very eager to pay for experiences.
Think about the types of creative work you’ve paid for in the past month. Why did you make those purchases? I support artists like Mikey Neumann and Lindsay Ellis on Patreon because the stories they tell about storytelling help me see the world in different ways, and I want them to keep providing me with those types of experiences.
When I went to the Maggie Stiefvater Portraits and Dreams writing seminar earlier this month, I bought a copy of a book I had already read multiple times, for free, at the library because I wanted the experience of meeting Maggie in the book signing line.
I own a red Steven Universe T-shirt with a yellow star on it because maybe someone will see it and say “hey, I also like Steven Universe,” and then I’ll have the experience of meeting someone new.*
None of this is about making sure artists get paid or wanting to show my appreciation for their work or anything like that. I mean, it kind of is, in that I understand that if people like Mikey and Lindsay don’t earn money they’ll stop making videos, but mostly it’s about ME ME ME.
So. If you were to email me and ask how you can earn money from your creative work — and people do — I’d suggest:
- Create the type of work that takes an audience through an experience.
- Put that work in front of people.
- Create new work.
- Put that work in front of people.
- Give those people the opportunity to pay you, either for the work itself or for accessories related to the work.
Tomorrow we’ll look at how to put your work in front of people, because — as I noted at the beginning of this post — that’s a creative project in and of itself. ❤️
UPDATE: READ PART THREE HERE.
*I also own a red Steven Universe T-shirt with a yellow star on it because some days I want the experience of feeling courageous and thoughtful and empathetic like Steven.
Originally published at www.nicoledieker.com on February 12, 2019.