Thor: Ragnarok — Film Review
After the luke-warm reception to Thor: The Dark World, Marvel has decided to shake things up in a big way for the third Thor solo outing, borrowing a lot from the studio’s surprise hit Guardians of the Galaxy films.
Director Taika Waititi has made a frantically paced, colourful, comedy with Ragnarok, and the result is both a blessing and a curse.
‘Comedy’ is the operative word here, with virtually every character delivering punchline after punchline as Thor (Chris Hemsworth) embarks on a quest to save Asgard from the evil Hela (Cate Blanchet). While the comedy is for the most part great and definitely delivers a fun time at the cinema, the film’s need to get to the next laugh as soon as possible can sometime leave the dramatic or character elements wanting. While Thor, Loki (Tom Hiddleston) and the other Asgardian characters are dealing with some fairly dire circumstances and the potential destruction of their home, they’re never too far from cracking a joke. It’s ok that the film doesn’t take itself seriously, but the characters don’t take anything seriously either. Every time something potentially dramatic happens it’s undercut by a punchline. It’s as if Waititi feels the need to constantly remind the audience that ‘This is dumb, and you’re dumb for liking it’.
Now if the alternative to the more comedic approach is The Dark World, (a grey, bland, melodrama with Kat Dennings for comedic relief) then I’ll take Ragnarok any day. However the balance is a little off here. The film tries to beat Guardians of the Galaxy at it’s own game, and doesn’t quite succeed.
Visually, Ragnarok is definitely one of Marvel’s best entries, with a bright colour palette and some spectacular action sequences, the director uses every tool at his disposal to make each scene pop with on-screen creativity.
The much advertised return of the Hulk (Mark Ruffalo)is a definite highlight. As Thor is flung to the far side of space he encounters his former team mate in an alien gladiatorial fighting pit and, of course, hilarity ensues.
Hemsworth and Ruffalo are on great form and the film is at its best when they are together. While neither actor gets anything particularly dramatic to do, they certainly prove they have comedy chops. I for one would love to see some sort of buddy cop movie with these two.
Likewise Hiddleston is always good value as Loki and while Ragnarok may not be the most witty outing for the God of Mischief, its always fun when the sons of Odin get together.
The new characters also make fine additions to the growing universe. Jeff Goldblum isn’t so much acting as ‘being Jeff Goldblum’ as the Grand Master but that’s far more entertaining than him phoning it in like he did in last year’s Independence Day: Resurgence. Tessa Thompson’s Valkyrie does a lot with a small amount of screen time and while her arc doesn’t quite have the impact it should in her debut outing, it’ll be great to see how she develops in future installments.
On the villain front however, Marvel is predictably lacking. Cate Blanchett should have brought some menacing gravitas to proceedings. Instead she is left on her own for most of the movie to monologue to a wasted Karl Urban (who really should have a bigger/better role in the MCU) and threaten extras.
Where the film does triumph is its ending, as all the pieces fall into place for a final confrontation….and then things take a left turn. Obviously I won’t spoil the ending but its safe to say it did not go the way you’d think and we’re left in a very interesting place going forward.
As with this years’ Guardians of Galaxy Vol 2, Thor: Ragnarok feels like an assault on the senses on first viewing, with so much going on at such a pace its hard to take it all in. Like GotGv2, I feel it will benefit from repeat viewings, although some of the laughs (of which they’re are plenty) will obviously be lost.
A spectacular looking, funny, if somewhat superficial entry into the franchise, Thor: Ragnarok is a unique, crazy and most importantly memorable take on Marvel’s God of Thunder.
