SimonXIXBait (2019)How Mark Jenkin’s Bait elevates British social realism using Surrealist influencesSep 10, 2019Sep 10, 2019
SimonXIXTransit (2018)Christian Petzold’s Transit (2018) and the hell of waitingAug 20, 2019Aug 20, 2019
SimonXIXassessed essay: representing trauma in magical realist cinemaTo what extent is magical realism in contemporary American cinema successful at representing the trauma of the experience of black people?May 30, 2019May 30, 2019
SimonXIXassessed essay: Rancière, critique, and ironyDiscuss Rancière’s critique of ‘left-wing melancholy’ and his suggestions for a more viable future for cultural critique.Mar 1, 2019Mar 1, 2019
SimonXIXAnd the Academy Award for Best Picture goes to…Reflecting on Best Picture nominated films 2019 focusing on my experience of them and how they impact my thoughts on the Academy Awards.Feb 4, 2019Feb 4, 2019
SimonXIXthe misattribution of David Lynch and the categorisation of the weirdThis piece discusses the misattribution of Sony PlayStation commercials to David Lynch and our cultural acceptance of unconventional art.Jan 18, 20192Jan 18, 20192
SimonXIXcritical bibliography: media, technology, dispersionThis is a critical bibliography of five texts on the subject of media and technology. It was produced as coursework for my MA in Cultural…Dec 10, 2018Dec 10, 2018
SimonXIXSara Ahmed, ‘Against Students’, The New InquiryAhmed, Sara, ‘Against Students’, The New Inquiry, 29 June 2015 <https://thenewinquiry.com/against-students/> [accessed 20 November 2018].Nov 21, 2018Nov 21, 2018
SimonXIXSuspiria (2018)CW: contains references to strong violence. Also contains spoilers for the film Suspiria (2018) and, for all I know, Suspiria (1977).Nov 18, 2018Nov 18, 2018
SimonXIXBowsette: memes and fandom culture under late capitalismA brief examination of internet memes and their position under late capitalism using one example of a particularly virulent meme.Oct 15, 2018Oct 15, 2018