Unraveling the Enigma of “In Which Annie Gives It Those Ones”
Imagine stumbling upon a hidden cinematic gem from the past — an enchanting movie called “In Which Annie Gives It Those Ones.” Released in 1974 and written by the celebrated Arundhati Roy, this film takes us on an unforgettable journey into the lives of fifth-year architecture students — spirited, creative, and full of life.
At the heart of the story lies Annie, a character who quickly becomes the soul of the movie. With a dash of eccentricity and a heart brimming with joy, Annie captures our attention and hearts. His loyalty to friends and unorthodox ideas make him a true hero — a reflection of our youthful spirits and aspirations.
The film gracefully paints the vibrant canvas of college life — the camaraderie, laughter, and dreams that define those precious years. Among the memorable scenes, one showcases Radha, played by the talented Arundhati Roy, as she blends artistry with philosophy in her model presentation. The intellectual trap she sets for a teacher brings forth a nostalgic chuckle, reminiscent of my own playful pranks during college days.
The phrase “those ones” refers to the unprecedented, audacious, and unorthodox ideas that Annie, the central character, comes up with throughout the film. One of his iconic proposals was to plant trees along railway tracks, fertilized by all the folks taking a shit on the trains. His unconventional thoughts ruffle feathers, particularly that of “Yamdoot,” the college dean embodying authority and tradition. Yamdoot has not been approving Annie’s thesis for the last 4 years.
As I watch the movie, “In Which Annie Gives It Those Ones,” I am reminded of my own college experiences — specifically, a time when I found myself in Annie’s position. Starting on the wrong foot with a teacher, my journey in all her courses became a four-year struggle. Much like Annie, I too faced the consequences of my actions, which cast a shadow over my academic pursuits. If my close friends read this, they would undoubtedly recognize the uncanny resemblance and perhaps even share a knowing smile.
As the movie unfolds, the tumultuous relationship between Annie and Yamdoot, remains predominantly harsh and unforgiving. However, there comes a pivotal moment where, surprisingly, Yamdoot extends a helping hand to Annie during his darkest hour. Though this assistance is limited to securing bail, it offers a peek into the other side of Yamdoot — a glimpse of compassion beneath his stern exterior.
The film’s climactic moment arrives amidst the jubilant celebrations of Annie’s long-awaited triumph in completing his degree in architecture. Amid the revelry, Annie unexpectedly emerges with a shaven head, out of the dark. With unwavering determination in his eyes, he announces his audacious decision — to forgo the conventional path and pursue a law degree, solely to become a lawyer with one clear purpose: to sue Yamdoot for years of mental harassment.
Beyond the college days depicted on screen, “In Which Annie Gives It Those Ones” serves as a poignant reminder of life’s unpredictability. As we catch a glimpse of a young Shah Rukh Khan in a small extremely irrelevant role, we are reminded that even the most unassuming beginnings can lead to extraordinary destinies.
With every frame, this cinematic masterpiece transcends its time, evoking memories, emotions, and introspection. “In Which Annie Gives It Those Ones” celebrates the exuberance of youth, the strength of friendships, and the pursuit of dreams. As the credits roll, I find myself forever connected to the unforgettable story of Annie and his unprecedented ideas.
If you’ve reached till here, might as well watch it?https://youtu.be/A8kdVMxoJ9w
PS: Apparently, Manoj Bajpayee also played an insignificant role. Couldn’t spot him though.
