PinnedJeffrey AnthonyinThe RiffIn the Wake of Hendrix’s HandsJimi Hendrix, My First Memory, and the Quantum Ripple of a Musical GiftAug 319Aug 319
PinnedJeffrey AnthonyWhen Did We Lose the Right to Be Imperfect?Alicia Keys’ Super Bowl Flub and Trump’s Exploitation of Meritocracy’s DiscontentFeb 2016Feb 2016
PinnedJeffrey AnthonyI Asked Generative AI Music Platform Suno to Write a Podcast Theme…Things Got WeirdAI, Music, and Coherence: What Are We Trying To Accomplish?Mar 2797Mar 2797
Jeffrey AnthonyinCounter ArtsRed vs. Blue: Is Modern Music Production Driving Our Political Divide?How the Early 2000s Adoption of DAWs and AI Tools Coincides with America’s Growing Political DivideSep 172Sep 172
Jeffrey AnthonyScarcity, Surfeit, and the Fight for Meaning In The Age of AIJoyce Carol Oates, Rilke, and the Cost of AI’s ArtificeSep 84Sep 84
Jeffrey AnthonyMusic Exists in the Performance: Cage, Nabokov, and the Illusion of AI ArtExploring the Role of Space, Time, and Embodied Reality in the Age of AISep 11Sep 11
Jeffrey AnthonyMaybe I do believe in The Devil Perhaps His Name Was PlatoShannon Vallor’s The AI Mirror and the Ethical Dilemma of Perfect KnowledgeAug 2511Aug 2511
Jeffrey AnthonyCould A Drive-Thru Ban Bring Us Closer to Life, Liberty, and Happiness?How Eliminating Convenience Can Reignite Our Pursuit of Independence from Distant PowersAug 116Aug 116
Jeffrey AnthonyThe Great Flattening: How Spotify’s Algorithmic Pastiche Machines are Devaluing MusicThe Cost of Creating Content: Daniel Ek, Shakespeare, and the Price of ZeroJun 1227Jun 1227
Jeffrey AnthonyinCounter ArtsThe Power of Deep ListeningExploring Pauline Oliveros’ Sonic Activism as a Response to the Attention EconomyJun 86Jun 86