Published inThe Myth of CaptureNotes: How to Pack for 54 Countries.Packing, things splayed out across the bed and floor, bring to mind none of it is really needed. Things to displace fear of the unknown; we…Sep 14, 2015Sep 14, 2015
Published inThe Myth of CaptureThe Snake Charmer. Robots, Time, and the Future Camera.Seoul, Korea. Standing, arm raised with a tiny camera in hand, I filmed Bourdain fall slowly beneath a clear glass of Soju. The glass…Nov 12, 2014Nov 12, 2014
Published inThe Myth of CaptureThe Cat and the Box, A Series of Cinematographic Essays. Part 1 of 3, The Camera’s Form.Hampshire, England. Outside looking in, I stood on the step-side, clutched the roof rack with one hand and pointed the camera into the open…Nov 12, 2014Nov 12, 2014
Published inThe Myth of CaptureThe Cat and the Box, A Series of Cinematographic Essays. Part 2 of 3, Energy and Design.Design is negotiating trade-offs. As with all things, there is economy in camerawork. If output falls too short of effort, we’ll have to…Nov 12, 2014Nov 12, 2014
Published inThe Myth of CaptureThe Cat and the Box, A Series of Cinematographic Essays. Part 3 of 3, A Camera with Two Faces.With Mead and Bateston, there was no right or wrong, just different approaches to capturing something. Why does walking through a rural…Nov 12, 2014Nov 12, 2014
