aarthi parthasarathyVanilla: The Story of a Bean, a Bee and a Boywhy vanilla, inspite of being the most common flavouring in the world, is more expensive than silver.Feb 15, 2019Feb 15, 2019
aarthi parthasarathyBring back our public spacesThrough a recent series of events, Cubbon Park has become the subject of an ongoing debate regarding ownership and maintenance of public…Feb 15, 2019Feb 15, 2019
aarthi parthasarathyGuy-ne-ko-Kya?A collaboration with sanika palsikar, for Gender Bender 2018 curated by Goethe-Institut Bangalore and The Sandbox Collective.Aug 24, 2018Aug 24, 2018
aarthi parthasarathyYoginis in Indian Miniature PaintingOn depictions of women saints in Indian Art HistoryJul 3, 2017Jul 3, 2017
aarthi parthasarathyDrawn out- Queer Graphic Art in IndiaNow that the fifth edition of the indie annual zine by Gaysi Family, a website and forum for LGBTQ-desis (or “gaysis”), is out, it’s time…Feb 10, 2017Feb 10, 2017
aarthi parthasarathyinKadak Reading RoomAloe Vera and The VoidBy Renuka Rajiv and Aarthi ParthasarthySep 3, 2016Sep 3, 2016
aarthi parthasarathyPersonal (Cyber) Space — Kadak Reading RoomA collaboration with Mira Malhotra, for Gender Bender 2016 curated by Goethe-Institut Bangalore and The Sandbox Collective.Aug 30, 2016Aug 30, 2016
aarthi parthasarathyBengaluru’s burning problem“If you can imagine the smell of death — rancid meat, decaying organic matter, the suffocating smell of burning plastic combined with the…Jul 7, 2016Jul 7, 2016
aarthi parthasarathyReview: Cross purposesThe Last Supper, the titular painting of this exhibition, consists of five panels, each 6x4ft. It’s a stunning work with a muted palette…Jun 17, 2016Jun 17, 2016
aarthi parthasarathyReview: A play about hairA Sikh strongman prepares, with great pomp, for his usual circus feat of pulling a truck with his long, braided plait in front of an…Apr 8, 2016Apr 8, 2016
