Allie MarottainNo Proscenium‘NOWISWHEREWEARE’ Brings Us to ‘The Stars’ and Back (REVIEW)Andrew Schneider’s immersive installation wows NYC audiencesFeb 14, 2023Feb 14, 2023
Allie MarottainNo Proscenium‘Eschaton 2.0’ Breaks the Internet (Review)The early pandemic immersive darling by Chorus Productions relaunches with new tech, performersMay 26, 2021May 26, 2021
Allie MarottainNo Proscenium‘Into the Mist’ Invites Audience Into the 1920’s (Review)A lighthearted Jazz Age night on the virtual townMar 31, 20212Mar 31, 20212
Allie MarottainNo Proscenium‘iBuddy’ Asks The Audience to Define Humanity (Review)The training of an AI ‘humancare firmware’ explores what it means to be humanFeb 2, 2021Feb 2, 2021
Allie MarottainNo Proscenium‘Readymade Cabaret 2.0’ Leans in to the Avant-garde (Review)This Is Not a Theatre Company’s Dada-inspired piece bemuses usNov 25, 2020Nov 25, 2020
Allie MarottainNo ProsceniumMind’s Eye Whisks Participants Away to Scotland in ‘The Highland Adventure’ (Review)Audience members become characters in this roleplaying game-style Zoom experienceOct 26, 2020Oct 26, 2020
Allie MarottainNo ProsceniumSocially Distanced Anarchy Runs Amok in ‘#txtshow (on the internet)’ (Review)Brian Feldman does… whatever we want him to in the audience-led experimental pieceJul 24, 2020Jul 24, 2020
Allie MarottainNo ProsceniumThis Is Not a Theatre Company’s ‘Play In Your Bathtub’ Runs Hot and Cold (The NoPro Review)The solo isolation audio spa is more meditation than performanceMay 4, 2020May 4, 2020
Allie MarottainNo Proscenium‘Work From Home’ Nails The Remote Experience (Review)The interactive improv-based Zoom experience leaves audience members laughingApr 28, 2020Apr 28, 2020
Allie MarottainNo Proscenium‘Oasis Time Travel’ Leaves It All on the Dance Floor (Review)The second chapter of the immersive nightlife experience lacks guidanceFeb 24, 2020Feb 24, 2020
