Decoding Attention Levels in Advertising: A Digest of Research Findings

Amira Di Costanzo
3 min readNov 19, 2023

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The intricate dance between attention and advertising effectiveness is a multifaceted symphony that has been studied, scrutinized, and debated by academics and industry professionals alike.

At the heart of this discourse is a critical assessment of what “attention” truly embodies within the advertising context.

As Heath (2009) aptly contends “we can define level of “attention” as the amount of “conscious thinking” directed at an advertisement at any particular moment” (p. 63).

Definitions of attention levels vary widely; they can be high or low (Heath, 2007), full or partial (Teixeira, 2015), and can fluctuate between being volitional or nonvolitional, sustained or divided (Bellman et al., 2019).

Greenwald and Leavitt’s (1984) refer to four levels of attention.

In ascending order, these are: preattention (inattention), focal attention (automatic, passive, low attention), comprehension (active attention) and elaboration.

Such stratification is crucial because it allows advertisers to tailor their messages to the attentional state of the audience.

Nelson-Field (2020) contributes to this taxonomy by distinguishing between active, passive, and no-attention, particularly in the realm of visual stimuli.

The relationship between the level of attention and advertising efficacy is not as straightforward as one might assume

While high attention is conventionally linked with improved advertising outcomes — such as better recall and heightened purchase intent — a series of studies elucidate that this relationship is not linear.

The impact of attention on advertising effectiveness does not necessarily double with a doubling of attention duration.

In fact, Varan et al. (2020) illuminated that even short advertisements could wield considerable impact within the initial few seconds. Yet, longer ads hold the potential to craft a more compelling narrative and foster emotional connections, pivotal for brand recall and attitude, especially for emerging brands seeking to cement their presence in the consumer’s psyche.

Counterintuitively, the efficacy of advertisements is not solely the domain of high attention.

Heath (2011) and others have demonstrated that ads can also resonate in a low-attention context, leveraging the “low involvement” characteristic of mediums like television.

Such ads can catalyze emotional responses and reduce counter-arguing — a consumer’s internal resistance to persuasive messages.

This is particularly relevant in an era where digital ad consumption often occurs in a multitasking environment, leading to a predominance of low-level attention engagement.

Moreover, this low-level attention, paradoxically, might serve as a strategic advantage.

It can circumvent extreme resistance measures such as ad blocking, as individuals are less likely to take action against an ad that does not fully capture their conscious attention. This creates an opportunity for advertisers to subtly influence without triggering defensive mechanisms that are more active at higher attention levels.

Attention in advertising is thus not a monolith but a spectrum

As Karen Nelson-Field PhD posits, not all attention is the same.

The Attention Economy necessitates recognizing the fluidity between conscious and subconscious states and the ability of individuals to navigate between various levels of consciousness and attention, based on relevance and task demands.

The ultimate aim of securing attention, however, is not an end in itself.

The Realeyes Model of Attentive Reach (2021) underscores that attention is merely the precursor to a cascade of outcomes.

Positive engagement and emotional impact are the conduits through which attention translates into persuasion and recall, thereby influencing awareness, consideration, sales, and long-term value.

This link between attention and emotion is pivotal, as emotions can significantly sway visual attention to advertising messages and, by extension, influence consumer behavior.

In conclusion, the art of advertising is not just to capture attention but to navigate the multifaceted levels of attention, harnessing both the conscious and subconscious, to evoke the emotional responses that drive consumer behavior.

It is a delicate balance between the duration and depth of attention, the crafting of messages that resonate across different attentional states, and the strategic positioning of ads to avoid resistance while maximizing impact.

As the landscape of consumer attention continues to evolve, so too must the strategies employed to capture and leverage it in the realm of advertising.

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Amira Di Costanzo
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Head of Marketing @ Aryel by day, enthusiast of cognitive science (& data, & weightlifting, & wine, & physics, & N other stuff) by night.