Angus CarlyleAnd Listened To The Whistlings and Patterings Outside: Hearing The Wild As Sound[Pre-edit Draft of Chapter for the Oxford Handbook of Sound Art (2021)Aug 7Aug 7
Angus CarlyleLike Trees in a Wrong Forest[Essay for Acoustic Commons Project, Draft, no images, later version on Sound Camp]May 23May 23
Angus Carlyle“Mirrors” introduction, 2022At some point, once, on one specific morning or a certain afternoon, without ever having thought of doing so before and without, until some…Jun 4, 2022Jun 4, 2022
Angus CarlyleWind Under Whitethorn, Wind Through Wire (Outposted).Five miles from home –Jun 24, 2020Jun 24, 2020
Angus Carlyle“Atom Placed The Site (Data is Complete),” 2019, for Tim Hutchinson and Alex Cooper, Im-Pressed #3…“The full and the empty are the elements” is a phrase that begins, in this particular translation at least, the words that Aristotle put…Dec 10, 2019Dec 10, 2019
Angus Carlyle“Before Eternal Silence,” 2019, for Jani Ruscica, “Felt The Moonlight on my Feet.”Every SongDec 1, 2019Dec 1, 2019
Angus Carlyle“Orang Aljeh, Mountain Ghost,” 2018, for eds.“[O]ne must listen both to the separate melody lines and their coming together in unexpected moments of harmony or dissonance … This is…Dec 1, 2019Dec 1, 2019
Angus Carlyle“To Do Lists / Listenwissenschaft,” 2014, in Axel Stockburger, “Blockbuster.”“The facts speak for themselves (and the list is not exhaustive)”, Jean-Francois Lyotard, The Postmodern ConditionDec 1, 2019Dec 1, 2019