Spinning in the Morning: Art Pepper Meets The Rhythm Section
Earlier today, I decided to revisit an album that was reissued last year as Record Store Day released by Craft as well — “Art Pepper Meets The Rhythm Section.” This album, recorded in January 1957, brings together the legendary Miles Davis Rhythm Section with Art Pepper on alto saxophone. Despite never having met before recording together, the quartet’s chemistry is evident throughout the album, creating a “classic east meets west, cool plus hot but never lukewarm combination” as AllMusic describes this session, which is truly exceptional.
Pepper’s virtuosity on the alto saxophone is prominently displayed throughout the album, but it is his original composition “Straight Life” that truly highlights his technical prowess and serves as a testament to his status as one of the greats on the instrument. Personally, it’s one of my favorite tracks on this album. The opening track, “You’d Be So Nice to Come Home to,” starts off with a laid-back and relaxing vibe, but as the album progresses, it builds up into a blend of blues and bop music before returning to cool and soothing jazz tracks like “Jazz Me Blues,” a Dixieland standard that opens side two. The album also features a Latin-inspired track like “Tin Tin Deo” as well as “Star Eyes.” The final closing track, “Birks Works,” a jazz standard by Dizzy Gillespie, is a perfect way to conclude this extraordinary listening experience.
What sets ‘Art Pepper Meets The Rhythm Section’ apart from other Art Pepper records is the fusion of the laid-back, relaxing style of West Coast jazz with the burning, East Coast jazz energy of the Miles Davis Rhythm Section. This unique contrast makes it stand out in Pepper’s catalog. Despite Art’s initial lack of awareness about the session, after the first rehearsal, everything clicked. As Art says in the liner note, ‘I was so inspired by the rhythm section, I forgot the “adverse” condition.’ Art’s emotional investment in the session shines through in his playing and is what makes this album so special compared to his other works.
Craft Records’ reissue of this album is exceptional, with a thick cover that is similar to the original and sound quality that is second to none. The mono recording is crisp and clear, highlighting the intricate interplay between Pepper and the Miles Davis Rhythm Section.
As I listen to this album once again, I am reminded of why it has become a favorite of mine. I own several LPs by Art Pepper, most of which showcase collaborations with West Coast jazz musicians. These albums are known for their laid-back and enjoyable vibe, which I find very pleasing. However, this album meets The Rhythm Section is particularly distinctive and stands out as one of his best works. It captures a moment in time when four incredible musicians came together to create something truly special.
I firmly believe that this album captures a unique sound and is one of the finest in Art Pepper’s discography.
If you’re a fan of jazz, or just looking for a great album to add to your collection, I highly recommend checking out “Art Pepper Meets The Rhythm Section.” Whether it’s the original recording from 1957 or the exceptional reissue from Craft Records, this album is sure to impress and inspire.
