Flâneur in Street Photography

The most notable application of flâneur to street photography probably comes from Susan Sontag in her 1977 collection of essays, On Photography. She describes how, since the development of hand-held cameras in the early 20th century, the camera has become the tool of the flâneur:

The photographer is an armed version of the solitary walker reconnoitering, stalking, cruising the urban inferno, the voyeuristic stroller who discovers the city as a landscape of voluptuous extremes. Adept of the joys of watching, connoisseur of empathy, the flâneur finds the world “picturesque.”
Susan Sontag, On Photography, pg. 55

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