The “Underground” Rap Scene: Unveiling Regional Identity.

Artortion
3 min readMay 5, 2024

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It’s intriguing to consider the term “underground” in the context of music. A lot of artists despise the term as it places the artist in a category that prevents them from being categorised as “mainstream” or belonging to the common canon. Rappers that are referred to as “underground” typically have a small but devoted fan base and create music that is only appreciated by a particular audience. These rappers are subjected to a lot of prejudices because of their behaviour and musical aesthetics, but it’s integral to keep in mind that their regional environment greatly influences their musical style.

Atlanta artist, Destroy Lonely speaks on the term “underground” in an interview: “I actually despise that word. I don’t like ‘SoundCloud rapper.’ I don’t like anything that puts music in a box or even an artist” (Savoy, 2023)

An artist’s link to their home city is referred to as their regional identity. These rappers’ ties to their local neighbourhoods, towns, and heritages of culture are deeply ingrained in the way they approach all forms of creativity. To reflect the linguistic diversity of the communities they represent, underground rap artists frequently include colloquial and regional languages in their verses. This linguistic authenticity resonates with listeners who have comparable cultural origins and adds levels of depth and authenticity to the music. This also applies to how the music was produced. Their choice of beats closely corresponds to their distinct cadence and flow, which are also influenced by the rapper’s environment. In particular, Atlanta, Georgia, is recognised for its distinct style of trap hip hop. The Atlanta underground culture of today features a lot of dark drum patterns and melodic beats with strong 808s. Almost all contemporary Atlanta trap music features snares that will shatter your eardrums and 808s that will blow your car speakers. The Georgian capital is home to many well-known musicians, including Homixde Gang, Hardrock, and Ken Carson. All of these musicians are renowned for their eerie yet mischievous beat selections whilst delivering unique flows over the top.

Hardrock performing in Chicago.

Musicians nowadays are more hip to the thematic and aesthetic side of artistry. Music is all about telling a story. Adding visuals helps to attract attention. Artistic progression is key to keeping your audience interested. Changing the themes between albums, and posting snippets, will entice your fanbase. Ken Carson is a prime example of artistic progression in the underground.

His debut studio album “Project X” was inspired by the film which was based on the infamous Australian party that covered headlines across the world. Ken created the tracks with this theme and style in mind to play at big parties, such as the one in the movie. The tracks had an Atlanta trap edge, with fluid and melodic quality that recreated the party vibe of the early 2000s. A year later in the Summer of ’22, Ken released his second studio album “X”. Growing up Ken Carson was always around the older generation of ATL rappers. From being in studio sessions with Future, Young Thug and Lil Yachty, at just 9 years old, Ken used his upbringing to create his own style of trap music with the help of producers from his community as well as abroad.

Ken Carson's cover art for “Project X”

In conclusion, the term “underground” in music generates discussion among musicians, and fans alike, representing a varied landscape of rap and hip-hop culture that is shaped by a diverse fabric of regional culture and creative authenticity.

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