Asya GorovitsinNo Proscenium‘Zoetrope’ Brings Live Theatre Back to New York City (Review)Exquisite Corpse Company presents a kaleidoscope of familiar, absurd scenes from life in self-isolationMay 18, 2021May 18, 2021
Asya GorovitsinNo ProsceniumHaunting Tales of ‘Someone Else’s House’ (Review)A ghost story by the fire in the age of the virtual theatreMay 11, 2021May 11, 2021
Asya GorovitsinNo Proscenium‘Posthumous’ Reveals the Corporate Realia of the Digital Afterlife (Review)Participatory drama by Phoenix Tears Productions brings excitement to ZoomFeb 14, 2021Feb 14, 2021
Asya GorovitsinNo ProsceniumManhattan Becomes A Charming, Surreal Montmartre in ‘Voyeur’ (Review)Bated Breath makes creative use of pandemic restrictions in a sidewalk promenade showOct 27, 2020Oct 27, 2020
Asya GorovitsinNo Proscenium‘The Homes We Build’ Questions Our Notion of Family (Review)Twin Alchemy’s LARP for two explores love and life-long commitmentSep 11, 2020Sep 11, 2020
Asya GorovitsinNo Proscenium‘The Delegation’ Reminds Us of the Power of the People (Review)Coney puts Russians and Brits into a virtual hotel for a diplomatic treatyJul 31, 2020Jul 31, 2020
Asya GorovitsinNo Proscenium‘To My Distant Love’ Serenades Us Over the Phone (Review)A most intimate opera invites you to fall in love from afarJun 24, 2020Jun 24, 2020
Asya GorovitsinNo Proscenium‘The Corona Variations’ Mimics Real Life Too Closely (Review)The set of short plays amplifies frustrations of the present momentMay 26, 2020May 26, 2020
Asya GorovitsinNo Proscenium‘The Ministry of Mundane Mysteries’ Uncovers a Sense of Wonder (Review)A serial phone adventure made about, and for, a single person: youMay 1, 2020May 1, 2020
Asya GorovitsinNo Proscenium‘The Girl On The Phone’ Gives Players The Chance to Be a Hero (Review)An over-the-phone adventure by Sinking Ship CreationsApr 15, 2020Apr 15, 2020
