Why does this image below look like it’s from the future?

Baris Elcin
4 min readMay 9, 2024

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In the communication arts, some images naturally suggest the future. Take the image above, with its metallic curves that seem to break all the usual rules. Why do we see it as futuristic? This speculation dives into that question, exploring how balloon or liquid-like metal shapes make us think of high-tech and innovation, and uncovering how contemporary visual culture continues to redefine our notions of time, progress, and possibility.

Let’s take a trip back in time to see how our fascination with metal has evolved. Think about it this way: back in the Bronze Age and Iron Age, whenever we figured out how to mess with metal, society took a huge leap forward — it was like going from black-and-white TV to high-definition. Today, we’re still showing off what we can do with metal, but now it’s less about swords and more about playing around with its forms in ways that catch the eye. Take Frank Gehry’s Guggenheim Museum in Bilbao. It’s like he went wild with a giant piece of shiny tin foil and turned it into this epic, twisty metal sculpture that you can actually walk into.

Frank Gehry’s Guggenheim Museum in Bilbao

But how does this relate to our image? This image with metallic type is doing something similar but with a 21st-century twist — thanks to CGI, we’re not just bending metal; we’re virtually liquifying it. It’s a bit like that moment in “The Matrix” when the kid says, “There is no spoon.” It makes you rethink what’s real and what’s possible. Just when you thought metal couldn’t get any cooler, here it is getting all futuristic on you, morphing in ways that defy old school physics. It’s a slick nod to how we’ve gone from hammering out basic tools to manipulating metal into fluid, mind-bending shapes that make you think, “Wow, that’s pretty rad.”

Matrix-Spoon Boy

Now, let’s zoom out and compare this with the past. Back in the 20th century, Italian Futurism was all about the excitement of the new industrial world. It was like a loud, fast car racing down the street, showing off its power and speed. Futurists were obsessed with the idea of movement, machinery, and modern life at a breakneck pace. They used art to shout about the wonders of technology and how it could change the world, often with a vibe as intense as a rock concert.

GINO SEVERINI. Armoured Train in Action. 1913

So, what’s different now? Fast forward to today, and the way we look at the future in art and design has chilled out quite a bit. It’s less about the roar of engines and more about sleek, sophisticated technology that integrates seamlessly into our lives — think more of a cool, silent electric car gliding down the road. The rapid evolution of technology, particularly digital technology, has transformed artistic mediums and methods. In the era of Futurism, technologies like the automobile and the airplane were new and represented raw power and speed, manifesting in art as intense, dynamic expressions. Today, technology is deeply integrated into everyday life and is often invisible — like AI, software, and nanotechnology — leading to art that reflects this subtlety and complexity rather than just power and speed.

As we consider these changes, today’s ideas about the future are more abstract, often losing the gritty connection with the real-world. We’re less about direct reflections and more about pondering “what ifs.” Do you remember the kid from ‘The Matrix’? Exactly. There is no spoon anymore. This change in perspective shows that our view of the future has evolved from a clear-cut extension of the present into a more nuanced, contemplative abstraction which is slowly losing its ground, moving toward a realm where the line between imagination and reality blurs intriguingly.

But why are we slowly losing our grip on reality? This is a topic ripe for other speculations.

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