BC AndersonProject Baby: The Epic Rise, Fall, and Redemption of Florida Superstar Kodak BlackThere’s no denying that Kodak Black is on top of the rap game right now. Boasting some 22 million monthly listeners on Spotify, a steady…May 12, 2022May 12, 2022
BC Anderson“It Doesn’t Matter”: Meursault and Anti-Protagonism in ‘The Stranger’Albert Camus’ The Stranger is — in a word — a strange tale (pun only halfway intended). The 1942 novel follows the first person narration…Apr 16, 2022Apr 16, 2022
BC AndersonPlato, Nietzsche, and the Impossibility of Dissecting a Philosopher’s HeartHow do we know that a thinker — a philosopher, an author, an artist — actually believes what they claim to believe in their work?Apr 2, 2022Apr 2, 2022
BC AndersonVanderbilt’s “Refreshed” Logo: A New Low in Administrative IncompetenceEarlier this morning, on March 22nd, the administration of Vanderbilt University triumphantly announced the launch of a new “visual…Mar 22, 2022Mar 22, 2022
BC AndersonDeath and (Im)Mortality: the Practical Philosophy of “Slaughterhouse-Five”In Kurt Vonnegut Jr’s Slaughterhouse-Five, readers are quickly situated in a timeline and a chronology that is completely unlike anything…Mar 21, 2022Mar 21, 2022
BC AndersonPain, Fame, & Emotional Whiplash in Juice WRLD’s “Fighting Demons”At no point in Fighting Demons’ 55 minute, 53 second runtime does one ever get the impression that the album is — well, an album.Feb 17, 20221Feb 17, 20221
