An Introduction to Colour Theory
When you create content, how often do you think about the colours you’re using and how that might help or hinder you in your mission to connote the message you want.
I decided to start exploring the world of colour theory, and expand into colour psychology over the next few weeks. I want to learn about what different colours mean, how they can be used to tell a story, and how colour affects people, specifically in marketing.
Today I’m going to look at the basics of colour theory, and how to put colour schemes together.
Basic Colour Theory:
There are three primary colours, red, blue and yellow. These three colours can be mixed together to create secondary colours.
The three secondary colours are purple, green and orange. They appear between the primary colours on the colour wheel.
- Red + blue = purple
- Blue + yellow = green
- Red + yellow = orange
Tertiary colours are two name colours. These colours are made by adding together an equal amount of a primary colour and secondary colour. The colour made ends up being closer to the primary colour.
- Blue purple
- Blue green
Pure colours (also known as saturated colours) are primary, secondary and tertiary colours which haven’t had any white, black, or a third colour added to them. These colours are very bright and intense.
A tint is a colour that has had white added to it. These colours are sometimes called pastels, because they’re not as intense, and are much closer to white in colour.
A shade is a colour that has had black added to it. These colours are much darker and dull than pure colours, and can range from a slightly darker shade to almost black.
If you add grey (black and white) to a pure colour, you create a tone. You can do this to change the intensity of the colour.
The Complete Colour Wheel
The Completed Colour Wheel
Here is the completed colour wheel. You can see here all the different colours, including primary, secondary, and tertiary, as well as tints, shades, and tones.
On the left side of the colour wheel, you have colours which connote the impression of calmness. They’re much more peaceful and serene colours.
On the right hand side of the colour wheel there are much warmer, more vivid colours. These are very bright, energetic colours.
Now you understand how the different colours are made, you need to know how to use different colours together when creating marketing/brand material. Let’s take a look at the different methods you can use to pick colours, this is called colour harmony.
It’s important to get colour harmony right so that you can create a balanced visual experience for the user. If you get the colour harmony right, you will be able to engage the viewer, your work will have a sense of order, and it will be pleasing to the eye. People will notice your marketing material. Having good colour harmony is the first step in getting your audience’s attention, for all the right reasons. Below I will explain different colour schemes you can use to achieve colour harmony.
Analogue colour scheme
An analogue colour scheme is any three colours which are side by side on a colour wheel with 12 segments.
The analogue colour scheme will help you pick colours which are harmonious and pleasing to the eye. You can use analogue colour schemes to help instruct a user where to take action. Think of the colours as a call to action in themselves.
You will quite often find that an analogue colour scheme is used in nature.
When using an analogue colour scheme, you should aim to have one dominant colour, one supporting colour, and the third can be used for accents.
E.g. Yellow-green, yellow, and yellow-orange
Complementary colour scheme
A complementary colour scheme is made up of two colours which are directly opposite each other on the colour wheel.
You can use this colour scheme to create a very vibrant look, with high contrast. You have to be careful though, as too much of this can become tiresome for the viewer. It can make imagery stand out, but it’s not recommended for text.
E.g. Red and green
Triadic colour scheme
A triadic colour scheme uses colours that are evenly spaced around the colour wheel. This combination of colours tends to produce a very vibrant, bright colour scheme.
Be careful if you use this colour scheme, let one colour dominate the other two accent colours. This can be a great way of achieving colour harmony, whilst ensuring elements stand out.
Split complementary colour scheme
This colour scheme is a variation of the complementary colour scheme. It takes a base colour, and two colours either side to complement the base.
It’s great for creating a strong visual contrast, but with less tension than the complementary colour scheme.
Rectangle colour scheme
The rectangle colour scheme is made up of four colours connected in a rectangular shape. Think of it like grouping two complementary pairs.
When using this colour scheme, you have plenty of opportunities for variation, but you should ensure you try and let one colour be dominant. Remember to pay attention to warm and cool colours when creating your branding and marketing material.
Square colour scheme
The final colour scheme I will be looking at today, is the square colour scheme. It’s very similar to the rectangle colour scheme, but all four colours are evenly spaced around the colour wheel.
Just like the rectangle colour scheme, you should let one colour be dominant if you want the best outcome.
Now you know the basics of colour theory, you can begin to choose colours and know how to put them together. Colour theory is vital when it comes to putting together colours for new logos, your brand, and any promotional content you might be making.
If you understand colour theory, you can use this to your advantage and work out what your competitors are trying to say. You can control how your audience is going to interpret your content.
Originally published at www.basecreative.co.uk.