Black Horrific Bites: White Women Villains in Black HorrorHey Black Horrific Fam,Nov 14, 2024Nov 14, 2024
The Privilege of Rage: Maeve Fly vs. “The Fuckboy Museum”This post has spoilers! Trigger/content warnings include sexual violence, body horror, grandparent death, and (obviously) swearing.Nov 3, 2024Nov 3, 2024
Published inBlack HorrificBlack Horrific Bites: Intro to Feminine RageHorror is an essential vehicle for Black and Brown feminine rage.Oct 10, 2024Oct 10, 2024
Body Horror and the Myth of the Perfect VictimHollow Tongue by Eden Royce (2024)Sep 24, 20241Sep 24, 20241
Published inBlack HorrificBlack Mass Graves & the Horror of Not KnowingOn “Summer” by Tananarive Due (2007)Aug 6, 2024Aug 6, 2024
Published inBlack HorrificBlack, Brown, and Queer Humanity in “The Twilight People” (1972)Dehumanization is a dangerous process — how do we fight it?Jul 16, 2024Jul 16, 2024
Published inBlack HorrificHorror with a Happy Ending — “Doc Buzzard’s Coffin”Let’s talk about triumphant Black horror in a layered, intricate story that lets the main characters succeed.May 28, 2024May 28, 2024
Published inBlack HorrificBlack Horrific Extras: “Candyman” and Urban LegendsWelcome to Black Horrific Extras! This newsletter on off-weeks is for information or stories that don’t fit into the main post. Enjoy!Apr 23, 2024Apr 23, 2024
Published inBlack HorrificHistory, Collective Memory, and More in “Candyman” (1992)This week we’re talking about Candyman lore, the history of Cabrini-Green, the power of collective memory, and much more!Apr 16, 20241Apr 16, 20241
Published inBlack HorrificBlack Authenticity and Southern Gothic Horror in “The Watered Soul”The first story in Spook Lights by Eden RoyceFeb 6, 2024Feb 6, 2024
