Caleb QuassinQuass on CinemaReview: Donnie Darko (2001)Enigma as a thematic device in itself is something I’ve applied to the films of David Lynch and his surrealist ilk, but until my third…Jun 9, 2017Jun 9, 2017
Caleb QuassinQuass on CinemaReview: Lady in the Water (2006)At this point it feels beyond redundant to discuss M. Night Shyamalan’s fall from critical grace, but it’s worth mentioning because I think…Jun 8, 2017Jun 8, 2017
Caleb QuassinQuass on CinemaReview: Alien: Covenant (2017)For me, the ultimate undoing of Alien: Covenant is that like too many blockbusters of relative prestige, it renders itself formless and…Jun 7, 20171Jun 7, 20171
Caleb QuassinQuass on CinemaReview: Elephant (2003)Quite possibly one of the most multifaceted movies I’ve ever seen, Gus Van Sant’s Elephant is simultaneously an allegorical tapestry of…Jun 7, 2017Jun 7, 2017
Caleb QuassinQuass on CinemaReview: Christmas with the Kranks (2004)In its own middlebrow, noxiously “tasteful” way, this is one of the most offensive films I’ve ever seen. I’m not speaking on the level of…Jun 6, 2017Jun 6, 2017
Caleb QuassinQuass on CinemaReview: The Lords of Salem (2012)Previously hell-bent on emulating the sleazy spirit of the grindhouse features he so clearly adores, it’s somewhat of a surprise that Rob…Jun 5, 2017Jun 5, 2017
Caleb QuassinQuass on CinemaReview: American Sniper (2014)Chris Kyle, the subject of Clint Eastwood’s American Sniper, is by official standards the most lethal sniper in US military history. He has…Jun 5, 2017Jun 5, 2017
