Sleep F$@cking: Revision Review

In this highlight, we turn our attention to a new play that recently debuted Off-Broadway. Sleep F$@cking: Revision (Directed by Alex Gustafson, written by Margot Mejia, and with movement direction by Donna Perry). The one act play debuted at The Theater for the New City, under Artistic Director Crystal Field, and was a part of the theater’s 9th annual Dream Up Festival.
Sleep F$@cking: Revision takes us into the world of John (played by Aaron Dalla Villa) and the relationship he has with his longtime friend Mary (played by Margot Mejia) and his girlfriend Sarah (played by Bianca Rutigliano). As John delves deeper into the reality of his novel, the novel becomes his reality and he repeats the moments that led to his breakup in a constant state of revision.

Margot Mejia does a fantastic job of exploring sexuality and relationships in an intriguing way, with this modern piece that captivates the audience from start to finish. The performances that each of the actors displayed were simply eye grabbing.

Aaron Dalla Villa’s portrayal of John was extraordinary to say the least. His presence commanded the attention of every audience member while he delivered a riveting performance. Watching his character go through the psychological effects of dealing with his scandalous relationships was quite engaging and memorable.
Margot Mejia’s performance of Mary was pleasing to watch because of the sweet demeanor that she gave to the character, while also adding a hint of strong sexual desire. This mix was an interesting one as it had me on the edge of my seat wondering what her character would say next.

Bianca Rutigliano’s portrayal of Sarah was extremely fun to watch. She brought a type of strength, grace and boldness to her character that compelled you to feel empathy for her, in a way that made you wish for her success in love. Bianca did a fine job of honoring a really memorable character. I’m sure a lot of people who prefer to explore sexuality within relationships would relate to it.
Another fun fact about the piece was the simplicity of the set, provided by set designer Michael Gillespie. All of the props involved were only there if they were needed and everything there was used in a useful and productive way. It didn’t distract or take away from the story telling which is always refreshing.

The only unfortunate thing is that the piece has just recently ended production because Id be heading there again to watch for things that I may have missed the first time or to relive the intense moments happening between the talented performers. If this play is ever up again near you, I recommend running to buy tickets it is worth the watch. Only, bring a date and no underage audience members as the content is for mature audiences only.
