Published inWitnessTuol Sleng Photographs: Escaping the ArchiveWhen Duch, the director of Tuol Sleng (or S-21) prison died at the age of 77 in September last year, Youk Change, the director of the…Apr 22, 2021Apr 22, 2021
Li Zhensheng and the Cultural Revolution(Original post from January, 2019. Li Zhensheng died in New York, June 2020)Jun 26, 2020Jun 26, 2020
Patrick Hutchinson rescues a man from a beatingPatrick Hutchinson by Dylan MartinezJun 26, 2020Jun 26, 2020
Published inWitnessPhotography in the Time of Brexit: The Curious Case of Mark DuffyWhen former Houses of Parliament photographer Mark Duffy heard a knock on the door at 8am on Wednesday 12th of February, he thought it was…Mar 17, 2020Mar 17, 2020
Published inWitnessThe Good, the Bad, The Dead and the UglyWatch a mob-film like Goodfellas and you will see representations of organised-crime lifestyles that are glamorous, sexy and altogether…Dec 30, 2019Dec 30, 2019
Published inWitnessWhy photograph when every picture has already been made?In the age of smartphones and social media, there is the idea that all pictures look alike. The algorithms make them look alike. Tourist…Oct 31, 20191Oct 31, 20191
Published inWitnessIs there such a thing as an activist photographer?The idea of the photographer as activist is an appealing one. It means that photographs really matter, that they can lead to changes in…Aug 28, 2019Aug 28, 2019
Published inWitnessEmpathy, Charity, Emotional Narratives, and CashThe Good, the Bad, and the somewhere-in-the-middleJul 31, 2019Jul 31, 2019
Faces of the deadI submitted my latest article for Witness at the end of last week. I write about a few things including the picture of Oscar and Valeria…Jul 12, 2019Jul 12, 2019
Published inVantageWhy are they scared of cameras?There’s the idea that photography is not to be trusted, that the naive idea that there is a connection between reality and the image is…Jul 4, 20193Jul 4, 20193