Daniel McKemieNoise from the Underground (Part 1)During my last year in Las Vegas in 2009, I met a lifelong artistic collaborator named Teejay Dourbet. We shared a house briefly and it was…Dec 27, 2022Dec 27, 2022
Daniel McKemieInstructions on How to Write Music // Piece #1Instructions on How to Write Music (2016–17)Dec 19, 2022Dec 19, 2022
Daniel McKemieZero to 16383 Through the Wire: Transmitting High-Resolution MIDI with WebSockets and the BrowserABSTRACTDec 11, 2022Dec 11, 2022
Daniel McKemieMaximalismMaximalism is a series of recordings and essays that deal with the multidimensional properties of recorded sound within the context of…Dec 2, 2022Dec 2, 2022
Daniel McKemieA Combined Practice of Two Seemingly Disparate Musical ArchetypesIn music academia, improvisation and classical performance have traditionally been treated as two separate practices. The study of…Nov 26, 2022Nov 26, 2022
Daniel McKemieA New PrefaceIn 2017, I was set to return to music school for doctoral study at the University of California, Santa Cruz. I did want to be challenged…Nov 26, 2022Nov 26, 2022
Daniel McKemieTips and Techniques for using the Web Audio APIHelping to clarify the structure of the Web Audio API through the use of libraries and by illustrating comparisons to modular synthesis.Nov 19, 2018Nov 19, 2018
