Discovery 2015

  • Films before 2013, watched in 2015, 12(+3) cinematic discoveries

12. The Secret Life of Words 
(2005, Isabel Coixet, Spain-Ireland)

11. Wes Craven’s New Nightmare
(1994, Wes Craven, USA)

10. Le camion / The Lorry
(1977, Marguerite Duras, France)

9. Dogtooth 
(2009, Yorgos Lanthimos, Greece)

8. Shadows of Forgotten Ancestors
(1965, Sergei Parajanov, Soviet Union)

7. คน ผี ปีศาจ 
(2004, ชูเกียรติ ศักดิ์วีระกุล, Thailand)

6. 21 Grams
(2003, Alejandro González Iñárritu, USA)

5. Millennium Mambo 
(2001, Hou Hsiao-Hsien, Taiwan-France)

4. In Another Country
(2012, Hong Sang-soo, South Korea)

3. Abraham’s Valley
(1993, Manoel de Oliveira, France-Portugal-Switzerland)
No, or the Vain Glory of Command
(1990, Manoel de Oliveira, Portugal-Spain-France)
A Talking Picture
(2003, Manoel de Oliveira, Portugal-France-Italy)
Voyage to the Beginning of the World 
(1997, Manoel de Oliveira, Portugal-France)

2. ดอกฟ้าในมือมาร / Mysterious Object at Noon 
(2000, อภิชาติพงศ์ วีระเศรษฐกุล, Thailand-Netherlands)

1. A Time to Live, a Time to Die
(1985, Hou Hsiao-Hsien, Taiwan)

Absentia (2011, Mike Flanagan, USA)
Alps (2011, Yorgos Lanthimos, Greece-France-Canada-USA)
Amores Perros (2000, Alejandro González Iñárritu, Mexico)
Aniki-Bóbó (1942, Manoel de Oliveira, Portugal)
The Day He Arrives (2011, Hong Sang-soo, South Korea)
Dust in the Wind (1987, Hou Hsiao-Hsien, Taiwan)
The Face You Deserve (2004, Miguel Gomes, Portugal)
Fargo (1996, Joel Coen/Ethan Coen, USA-UK)
Gebo and the Shadow (2012, Manoel de Oliveira, France-Portugal)
Hahaha (2010, Hong Sang-soo, South Korea)
Kinetta (2005, Yorgos Lanthimos, Greece)
Mad Max 2: The Road Warrior (1981, George Miller, Australia)
Muriel, or The Time of Return (1963, Alain Resnais, France-Italy)
Oki’s Movie (2010, Hong Sang-soo, South Korea)
The People Under the Stairs (1991, Wes Craven, USA)
Scream 2 (1997, Wes Craven, USA)
Scream 4 (2011, Wes Craven, USA)
Star Wars: Episode III — Revenge of the Sith (2005, George Lucas, USA)

One clap, two clap, three clap, forty?

By clapping more or less, you can signal to us which stories really stand out.