The identity primarily uses Helvetica Neue Medium, modified so that the middle descender in the “m” of “Rosemary” forms the ascender in the second “b” of “baby.”
The World’s Scariest Fonts
John Brownlee

This tense effect was made possible by the combination of classical Helvetica smooth curves with this odd centered formatting. Something that will scare you with a meaning, not an appearance.

2 colored green-black background that just captured a moment of emptiness in her eyes and in baby carriage taking it to the next level.

A true art. One of my favorite covers for a damn good film, by the way. Great choice, John Brownlee!