Op art — Art movement, optical art, is a form of visual art that employs deceptions of the eye. Op art is abstract, and many of the more well-known pieces are produced in black and white. The spectator often perceives movement, concealed images, flashing and vibrating patterns, as well as swelling or warping. In terms of graphic and color effects, the origins of op art are found in Dada, Neo-impressionism, Cubism, Futurism, and Constructivism.
Op art was a genre of photography that László Moholy-Nagy both created and taught at the Bauhaus. He had his students punch holes in cards as part of one of his lessons, after which they were photographed. In reaction to Julian Stanczak’s exhibit Optical Paintings at the Martha Jackson Gallery, Time magazine first used the term “op art” in 1964 to describe an abstract type of art (particularly non-objective art) that makes use of optical illusions. Before Time’s 1964 article, works now referred to as “op art” were created for several years.
In the Op art — Art movement, students are taught to concentrate on the overall composition or design to portray unified works.
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