Morteza Pasha’s biography from singing to death
Morteza Pasha’s biography from singing to death
Morteza Pashaei (born on August 20, 1363) was an Iranian pop singer, musician, arranger and composer.
Morteza Pashaei
He became famous in 2009 by placing his songs in the virtual space. He officially released his first album named (Yeki Haste) in 2011. (Esmesh Eshkeh) and (Gol Bita) are his two other albums that were not officially released before his death, and finally the album “Esmesh Eshkeh” was released in the summer of 2014.
He was diagnosed with stomach cancer from November 2013 and died on November 23, 2013 at the age of 30.
He is a student of graphic arts and has been interested in music since childhood. He started playing the guitar at the age of fourteen.
Morteza Pasha’s fame
He became famous with the piece (There is one). The special voice and emotionality of his songs distinguished him from other singers. Most of his songs were written by Mehrzad Amirkhani, who of course had a close relationship with each other. In the fall of 2013, Morteza Pashaei joined the group of singers with pop albums in Iran with the release of Yeki Haste album.
. Pashayi had composed the song (Autumn Evening) for a television series of the same name, which the authorities of the Islamic Republic of Iran did not allow to broadcast. Pashaei also published (Autumn Evening) on the Internet, which became one of his most popular songs. He also performed the song (Negran Mani) as the title track of the Honeymoon TV program in 2013 and sang the songs (Like a glass) and (You are telling the truth) for the movie Like a glass.
Morteza Pashai has published many romantic songs, among which we can mention the beautiful song “Pulse of Feelings”.
Morteza Pasha’s disease
In December 1992, doctors diagnosed Morteza Pashaie with cancer. Morteza Pashaei was transferred to the intensive care unit on Friday evening, November 16, 2013. The reason for the singer’s transfer to the intensive care unit was high fever. Due to Morteza Pasha’s special conditions, the doctors forbade him to meet him; However, on Sunday evening, November 18, a number of artists showed up at Bahman Hospital to meet Morteza Pashaei and raise his spirits, and were with him for a few moments. Also, on November 20, the artistic deputy of the Ministry of Culture and Islamic Guidance of Iran and the CEO of the Iranian Music Association visited him.
passed away
Pashaei died in the morning of Friday, November 22, 2014 (around 10:30 AM) due to the serious condition of stomach cancer in Tehran’s Bahman Hospital.
albums
1391: Yeki Haste
1389: Gol Bita
1394: His name is Eshkeh
1394: Gol Bita 2 (Bird)
Pashayi had published songs in different styles, the sad song
Satiish was met with comments from many fans
. It is hidden that showed itself in the form of expressing collective feelings in gatherings like the death and funeral of Iranian pop singer Morteza Pashaei. This phenomenon has been identified and investigated by sociologists.
Some experts considered it an emotional phenomenon against the pressure of modernity.
Youssef Abadhari
In the meantime, this phenomenon had
a meeting on “Cultural Phenomenology of a Death” on December 18, 2014, in terms of the evaluation of critics, defenders and opponents. A sociological study of the phenomenon of the death of Morteza Pashai was held in Tehran. In this meeting, “Hamid Reza Jalaipour” considered advertising as an important factor for forming the population. “Mohammed Saeed Zakaei” said: “I believe that Pasha’s experience is a type of postmodern socialism or an emotional and expressive participation.” Mahmoud Shahabi considered this incident as an example of “carnival violation”. Nematullah Fadeli considered the reason for the appearance of Pasha’i to be the movement towards “metropolitanization”. “Mahdi Montazer Qaim” and “Mohammad Amin Qaneirad” did not consider this incident to be insignificant. In this meeting, Youssef Abaziri described Pasha’s music as “vulgar and flashy” and considered the young people’s attention to it as a sign of cultural decline, which was met with protest by the people present. Hossein Bastani considered it a sign of the unpredictability of the Iranian people.
Farnoosh Amirshahi considered it to be an indication of the importance of examining possible gaps in the society. Some experts stated that the widespread presence of people is a sign of the distance between the Islamic Republic system and intellectuals from the thinking of the public arena, and the widespread presence of people with mobile cameras was seen as a sign of the effectiveness of social networks.
According to Lili Nikunazar, the gathering of people for the pop singer’s funeral is “a rebellion against the dominant”.
Yazdanjo’s message stated that intellectuals’ stepping on being surprised by this event and presenting numerous analyzes of it is due to their tendency to “create phenomena” to do their work.
In his speech during his speech, referring to the death of Morteza Pashai and the heavy traffic that had occurred at the burial place of his body, Hasan Tamohimoori, the representative of the people of Rasht at the time, said that we should learn from this issue. Morteza Pashaei was neither right-wing, nor left-wing, nor was he a politician, he only worked in music. This shows that we should learn from marginal issues and that people are still hungry for love.
Aspects of this phenomenon continued in cyberspace and media after that.
After the death of Morteza Pashaei, some songs (Hasrat — Don’t cry — …) were officially published. Also, to know about the download of Morteza Pashaei’s songs, you can refer to the official Instagram page of mortezapashaeioriginal and
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