Edward WalkerSemester 2 ReflectionIt’s needless to say that I've improved tenfold since the start of this academic year. Any previous experience I had on free licensed…Mar 18, 2016Mar 18, 2016
Edward WalkerShaun of The Dead (2004)In Edgar Wright’s Shaun of The Dead, the primary editing feature is his fast, repetitive(in camera movement) cuts, expressing Shaun’s own…Mar 18, 2016Mar 18, 2016
Edward WalkerEducating Cardiff (2015)For a documentary, audience engagement in the opening scenes is key. If the audience isn’t immediately engaged with what is shown, their…Mar 18, 2016Mar 18, 2016
Edward WalkerEdward Dmytry’s 7 Rules of EditingHollywood Ten film director Edward Dmytryk’s 7 rules of editing, all the way from the days of film (something to bear in mind), are still…Mar 18, 2016Mar 18, 2016
Edward WalkerSaving Private Ryan (1998)Directed by Steven Spielberg, Saving Private Ryan tells the life of a US Army Captain and his squad in search for a paratrooper. It’s very…Mar 18, 2016Mar 18, 2016
Edward WalkerAkira KurosawaDubbed by Donald Richie as ‘the world’s greatest editor’, it is deemed that Akira Kurosawa’s finest work was an action sequence, namely the…Mar 16, 2016Mar 16, 2016
Edward WalkerThe Shining (1980)In The Shining, Ray Lovejoy makes use of different elements of editing to create tension and to interpret a sense of power from one of the…Mar 16, 2016Mar 16, 2016
Edward WalkerAmelie (2001)Amelie, edited by Herve Schneid is a prime example of the relationship of movements to transitions and rhythmic editing.Mar 16, 2016Mar 16, 2016
Edward WalkerProduction Assessment (Little Things)The fourth and final Production Technology assessment prior to the Easter break consisted of making a short film of the script ‘The Little…Mar 14, 2016Mar 14, 2016
Edward WalkerProduction Assessment (Pool)The third of the four Production Technology assessments tested our ability to transition between indoors and outdoors with audio to…Mar 14, 2016Mar 14, 2016