En Liang KhongFull bloomTracing the secret history of Chinese women artists’ struggle for recognition across the twentieth century.May 29, 2015May 29, 2015
En Liang KhongAngry dragonsSun Xun’s films are a vital testament to the special chaos of the collapse of Chinese communism.May 29, 2015May 29, 2015
En Liang KhongAdventures in cultural appropriationIt is only in the embrace of hybridity that we may change the mode in which we collectively imagine new ways of making art.May 29, 2015May 29, 2015
En Liang KhongThe fraudulence paradoxBehind the left’s refusal to unite against the concept of plagiarism: we live in an age which is ever more eager to criminalise the mere…May 29, 2015May 29, 2015
En Liang KhongThe limits of radical publishingPublishing house Lawrence & Wishart’s demand that the Marxists Internet Archive remove its digitised copy of the Marx-Engels Collected…May 29, 2015May 29, 2015
En Liang KhongChina’s leftover womenChinese women face a resurgent crisis of gender inequality, argues Leta Hong Fincher in her new book Leftover Women. She talks to…May 29, 2015May 29, 2015
En Liang KhongThe communist imagination under capitalismThe third wave’s turn to animation has been a powerful development in the story of Chinese art.May 29, 2015May 29, 2015
En Liang KhongAfter the party: an interview with Wang HuiThe luminary of China’s emergent “New Left” speaks to openDemocracy about the lessons of labour unrest, the Cultural Revolution as taboo…May 29, 2015May 29, 2015
En Liang KhongAn artist’s duty: an openDemocracy interview with Ai WeiweiStill denied his passport after nearly three years, Ai Weiwei exists in a strange purgatory. In this exclusive openDemocracy interview, the…May 29, 2015May 29, 2015