另一種抒情詩的聲響

印卡
印卡
Sep 7, 2018 · 4 min read

抒情詩中說話主體的效應,除了意義內容之外,什麼是詩歌中的聲調呢?在英美語系裏頭,抒情詩常見兩種對於主體與其聲調的看法,其一是採取浪漫主義的態度,認為抒情詩就是主體經驗與情感的強烈表達,在臺灣對於抒情詩的解釋多是這樣的態度;另外一種通行的看法則是認為詩人藉由詩歌創造虛構人物來表達特殊的思想或是對話語的理解,詩就是一種模擬,而詩歌文本帶有虛構的特徵。在這兩種看法裏頭,美國抒情詩的研究者喬納森‧卡勒( Jonathan Culler)試圖提出抒情詩在這兩種觀點之外的說法。對於喬納森‧卡勒來說,當追溯抒情詩( λυρική)的時候,呼語(apostrophe)的存在使得他不得不重思抒情詩歌在主體效應中這些呼語帶來的暗示。什麼是呼語呢?

以羅智成的〈寶寶之書50之15〉的部分詩段為例

我熄去所有星光等候
寶寶,然後我跨出睡眠的門檻,到雪
地上,找尋幾乎不可能有的熊的足跡
果然,我抬頭看見妳好奇而帶睡意的
眼光

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印卡

Written by

印卡

Poet, author of Rorschach Inkblot (http://t.co/PAOkWGXkuS)邀稿信箱: enkarpoetry@gmail.com

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