從陳宛茜之亂談歷年臺灣詩人七年級選輯

印卡
印卡
Sep 8, 2018 · 6 min read

2009年藝文記者陳宛茜宣稱七年級詩人新世代面目模糊,至今在許多副刊、文學雜誌仍依舊回繞這個問題,尚未真正以有效的學術方法討論。回顧陳宛茜的立論,該作者以學術史的文學斷代來指出 一九二○年代的新文學運動與胡適、徐志摩、魯迅、沈從文……;一九三○年代的新感覺派與施蟄存、劉吶鷗;一九四○年代的張愛玲;一九五○年代的反共文學與王藍、潘人木;一九七○年代的白先勇、黃春明……,在此論之後的十年臺灣依舊未有學術學人關注七年級現象,而諷刺地是陳宛茜當年提及的──「 一九九○年代末期竄起的五、六年級作家,出道時被稱為『新世代作家』;十年過去,他們的名字在媒體上出現時,依然被冠上『新世代作家』的頭銜,十年光陰彷彿不曾存在。」如今說法十年已成二十年,現象依舊。這問題反映的就不僅僅是學術史更可能是臺灣從文學雜誌、文學獎到文學評審、文學評論全盤的敗壞了。

記者陳宛茜

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印卡

Written by

印卡

Poet, author of Rorschach Inkblot (http://t.co/PAOkWGXkuS)邀稿信箱: enkarpoetry@gmail.com

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