PinnedEsme HarlowinScreenwriting & StorytellingScreenwriting & Storytelling: Submission GuidelinesWhat we’re looking for and how to write for usMay 2727May 2727
Esme HarlowinScreenwriting & StorytellingThe Best of My Stories About StorytellingA compilation of the most helpful advice I knowJul 75Jul 75
Esme HarlowinScreenwriting & StorytellingWhat Makes a Book-to-Movie Adaptation Great vs PainfulUnderstanding the anatomy of success and failureJun 2118Jun 2118
Esme HarlowinThe Writing CooperativeLittle Things That Destroy How Good Your Writing Could BeSpotting the small errors that undermine your narrativeJun 621Jun 621
Esme HarlowinThe Writing CooperativeThe Big Lie You Need to Stop Believing About PlotPlot isn’t an individual entityJun 318Jun 318
Esme HarlowinThe Writing CooperativeHow to Make People Excited to Read Your BookLeverage comparative titles to engage your audienceMay 3112May 3112
Esme HarlowinThe Writing CooperativeHow to Love Writing Dialogue for People Who Hate ItThe right tools will get your dialogue to charm not only your readers but you as wellMay 1811May 1811
Esme HarlowinThe Writing CooperativeShow Don’t Tell Isn’t the Fantastic Advice You ThinkLet’s reevaluate narrative techniques and their impact on writingMay 837May 837
Esme HarlowinThe Writing CooperativeHow to Create Monsters That Won’t Put People to SleepThere’s more to it than making them big and scaryApr 3042Apr 3042
Esme HarlowinThe Writing CooperativeWhat Makes Powerful Characters a Turn-Off in Fiction?The appeal of ‘weak’ heroesApr 2415Apr 2415