PinnedEsme HarlowinScreenwriting & StorytellingScreenwriting & Storytelling: Submission GuidelinesWhat we’re looking for and how to write for usMay 2713May 2713
Esme HarlowinScreenwriting & StorytellingWhat Makes a Book-to-Movie Adaptation Great vs PainfulUnderstanding the anatomy of success and failureJun 2117Jun 2117
Esme HarlowinThe Writing CooperativeLittle Things That Destroy How Good Your Writing Could BeSpotting the small errors that undermine your narrativeJun 616Jun 616
Esme HarlowinThe Writing CooperativeThe Big Lie You Need to Stop Believing About PlotPlot isn’t an individual entityJun 315Jun 315
Esme HarlowinThe Writing CooperativeHow to Make People Excited to Read Your BookLeverage comparative titles to engage your audienceMay 3110May 3110
Esme HarlowinThe Writing CooperativeHow to Love Writing Dialogue for People Who Hate ItThe right tools will get your dialogue to charm not only your readers but you as wellMay 1812May 1812
Esme HarlowinThe Writing CooperativeShow Don’t Tell Isn’t the Fantastic Advice You ThinkLet’s reevaluate narrative techniques and their impact on writingMay 826May 826
Esme HarlowinThe Writing CooperativeHow to Create Monsters That Won’t Put People to SleepThere’s more to it than making them big and scaryApr 3041Apr 3041
Esme HarlowinThe Writing CooperativeWhat Makes Powerful Characters a Turn-Off in Fiction?The appeal of ‘weak’ heroesApr 2414Apr 2414
Esme HarlowinThe Writing CooperativeSome Writers Don’t Understand What Internalisation Is (And It Shows)Internalisation is crucial for crafting compelling narrativesApr 2124Apr 2124