[Watch] ~ The Matrix Resurrections Free 2021 #Online — Movie {Full} English /ML
ENG→>The Matrix Resurrections Free# 2021 «Film ®Full — Online
▬▬▬▬▬▬▬▬▬▬ஜ۩۞۩ஜ▬▬▬▬▬▬▬▬▬▬▬▬▬▬
#WATCH ░▒▓█►https://the-matrix-resurrections-eng.blogspot.com/
▬▬▬▬▬▬▬▬▬▬ஜ۩۞۩ஜ▬▬▬▬▬▬▬▬▬▬▬▬▬▬
Rating: PG-13 (action / violence sequences | brief suggestive comments | some language)
Genre: Fantasy, Adventure, Action
Original language: English
Director: Jon Watts
Producer: Kevin Feige, Amy Pascal
Writer: Chris McKenna, Erik Sommers
Release date (cinemas): December 17, 2021 in width
Execution time: 2h 28m
Distributor: Columbia Pictures
Proportion: Range (2.35: 1)
Imagine this review in front of you, reaching out for choice or or that has tricked the imaginations of millions of people over the past 22 years.
As the script applies to “The Matrix Resurrections,” the question is not about a red pill of “truth” or a capsule of pretty blue lies, or whether the movie is good or bad, or whether it should be watched or ignored.
The script says it succinctly: choice is an illusion. You already know what you are going to do. You might even have committed to having a passionate opinion of the film without being seen. The “Matrix” franchise has this effect on people.
What you can say is that the film does better in some of its purposes than others, and seems more essential than the 2003 double hit of “The Matrix Reloaded” and “The Matrix Revolutions”. Eventually, however, it falls prey to the same design flaws that made them smaller.
The TL version; The DR of this analysis is: “The Matrix Resurrections” is a better messenger and cultural analyst than a film show — playing with enough high concepts to be interesting, but it doesn’t live up to the hype. .
RELATED: Why ‘The Matrix’ Is Basically Sci-Fi ‘Office Space’
However, I appreciate Lana Wachowski’s challenge to any tendency to see the “Matrix” world, or ours, in binary terms. Existence, in the world of “The Matrix”, is seldom defined so simply, which is why my initial dislike of it mellows with deeper consideration. It might not deliver the emotions of the original, but at least it will start some conversations.
It’s up to you to decide if that’s enough to entice you to a movie theater in 2021.
When released in 1999, “The Matrix” was an extraordinary action tale that shifted paradigms, bringing all the explosiveness and reach of a space opera not only to Earth, but to our cities and our offices. It gave us a clever fantasy steeped in mysticism, postulating that the toxic business system of capitalism is a massive multiplayer role-playing invention designed to enslave us, and that the machine was built by machines.
Then he brought the weapons — so many weapons — wielded by freedom fighters like Trinity (Carrie-Anne Moss) and Morpheus (played in Laurence Fishburne’s original trilogy), to which the laws of physics do not stand. applied more fully. The figures preached on liberation of the spirit, scaled walls, jumped between skyscrapers, and performed gymnastic feats while carrying pounds of artillery and wearing thick leather and latex.
More importantly, the Wachowskis introduced Keanu Reeves as a cab-driving computer programmer — otherwise known as the nerd — whose journey makes him a superhuman. What’s not to like?
Take away the flowery technical language and dreamy philosophy, all the cogs and mechanics, and you end up with the simple reminder that this is a lifelong love affair — with Neo and Trinity meeting each other. and getting lost, over and over again.
Since the original film’s release, countless new films have given us their own take on gloomy fateful romances. Likewise, you have certainly seen other versions of their action sequences. The revolutionary effects and fight choreography of “The Matrix” set a new standard in the entertainment industry, thrilling in movies, TV shows and, of course, video games. Now even the cinematic technology behind bullet time has become everyday.
#The Matrix Resurrections free movies online
#The Matrix Resurrections free movie
#The Matrix Resurrections watch in hd quality
#The Matrix Resurrections watch online free camrip
#The Matrix Resurrections watch in english
#The Matrix Resurrections watch US release
#The Matrix Resurrections free online
#The Matrix Resurrections online
#The Matrix Resurrections watch free online
#The Matrix Resurrections online free
#The Matrix Resurrections watch for free
#The Matrix Resurrections movie free download
#The Matrix Resurrections watch movies online
#The Matrix Resurrections watch full movie free
In the second half of “The Matrix Resurrections”, these influences become a significant obstacle to his creative impetus. But the film’s dizzying metatextual embrace of his legacy has glimmers of grandeur.
In the here and now, wherever he goes, Neo resurfaces in the limiting common human identity of Thomas Anderson, a man caught up in his own existential cycle of wake-work-eat-sleep.
Like many of us, Mr. Anderson is over-medicated and insufficiently connected to reality, although much better than most. He went beyond code monkey status to become a programming god at his former MetaCortex company, where he teamed up with a sleek suit named Smith (Jonathan Groff, channeling his vibe as a master of all research “Hamilton” , but with less saliva) Yet he is not satisfied, feeling that despite his fame and success, something is wrong.
And what is the final achievement of Thomas Anderson, his “Halo”, his “Minecraft”? A game called “The Matrix”.
Reeves’ hero has been claimed by various constituencies, from outsiders hooked up to office drones, tech fools citing Jean Baudrillard for incels and, of course, Trump cultists.
When it comes to enduring art, the elements that make it universally celebrated also leave it open to endless interpretations. Although Lana Wachowski and her sister Lilly (who is not involved in this film) designed “The Matrix” as an allegory to embrace a person’s transgender identity, the filmmakers also knew that the dominant cultural mores of 1999 would never allow the story to be openly about that one. The mind-numbing toxicity of technology-based corporate hegemony is much more identifiable.
But since Neo’s awakening to his real self has been claimed by disinformation sellers and violent misogynists, Lana Wachowski and her co-authors David Mitchell and Aleksandar Hemon are compelled to respond to this. (Lilly previously tweeted her post on Twitter in May 2020, and it brought us to life.) That’s what they do, jokingly first, then showing their fangs later.
When Neo reconnects with Trinity, she walks over to Tiffany, a saddled suburban mom with a mining husband named — ha! “Chad.
This is when I have to tell you exactly what you need to know about the story to avoid any surprises. But seriously. Watch Neo / Thomas Anderson return, as if his death didn’t end the Machine Wars in “Revolutions”. Or that Morpheus is back and is now played by Yahya Abdul-Mateen II — but so does Niobe, and she is still played by Jada Pinkett Smith.
New characters like Jessica Henwick’s Bugs renew the premise, along with other necessary tech updates. As no one uses the landlines anymore, the rebels have found other ways in and out of the system, which have evolved to be more effective at capturing them. Other details are purposefully reminiscent of the first trilogy, such as Sati by Priyanka Chopra Jonas, a role introduced in “Revolutions”; and one of the many characters who have returned, including this ominous black cat that suggests deja vu.
To paraphrase another property that owes its heritage to this one, the whole point of “Resurrections” is to remind audiences to never stop questioning the nature of their reality, including what fictions like this they say.
The “resurrections” at best increase the urgency of their reviews of corporate control to tackle the dangerous commodification of ideas by those in power. And he criticizes the ways in which feelings are exploited to destroy the value of facts.
The Matrix offered a unique sandbox by presenting a realistic everyday world that was a simulation, a concept that allowed for action on a fantastic level, and that’s what makes a Matrix movie work; even Reloaded has a sleek car chase and clever action amid all the pretentious dirt. It might not be rocket science, but The Matrix Resurrections wins in The Matrix-ing, keeping the focus on the Matrix itself, returning to the love story of the first film, and revealing the fantastic action needed.
At the start of The Matrix Resurrections, venerable video game designer Thomas Anderson (Keanu Reeves) is told by his business partner (Jonathan Groff) that his business leaders are going to be making a sequel to his groundbreaking action trilogy “The Matrix” . Anderson can go back to the rabbit hole and try to leave an indelible mark on the production, or he can turn away from his exceptional work and refuse. Either way, with or without it, 20 years after its original release, this game will come.
It’s not the only moment that astute and subversive director and co-writer Lana Wachowski puts in the opening act of her legacy sequel, but it’s the most obvious sign the talented filmmaker hasn’t. intend to play it safe. At this point — and the gloriously silly edit for Jefferson Airplane’s “White Rabbit” that immediately follows — it becomes clear that this is Wachowski’s New Nightmare, or Wachowski’s Gremlins 2, or Gremlins 2: The New Batch. , a decidedly euphoric major for the Commandments and Nostalgia studio — film-laden franchises that simply exasperate as many viewers as they can captivate.
Those who expect a heavy retread of The Matrix from 1999 or one of its 2003 sequels (The Matrix Reloaded, The Matrix Revolutions) will be shocked. It’s a deeply self-referential and indulgent meta-continuation that’s more interested in being a shrewd social commentary over the past decade or so — while also becoming an overtly melodramatic and deeply passionate love story — than in doing. almost anything else.
The film is a very exciting intellectual blast that also contains a handful of meticulously crafted action sequences scattered here and there, while the tone is similar to that of Lana and her sister Lily Wachowski, the length of the cult show from Netflix’s favorite short-lived, Sense8. For a series built around awakening false reality, learning inner truths, and creating chosen families free from social paradigms, The Matrix Resurrections deconstruct your myths while celebrating the ideas you still have. kept closest to your heart. .
There is no healing here. The returning characters don’t fit in with much fanfare. Instead, Wachowski and his co-writers David Mitchell and Aleksandar Hemon (both worked on Sense8) let audiences recontextualize each old character in a different way, while also presenting a small handful of new ones that disrupt notions. preconceived ideas of it. is set up and the building blocks of its mythology.
I did not speak about the plot. No. Yes, Anderson and Neo are still the same. Trinity (Carrie-Anne Moss) was also resurrected as Tiffany, the seemingly satisfied and happily married suburban mother-of-two, but the how and why of her existence — she was impaled and left for dead towards the end from The Matrix Revolutions — better leave a mystery. Other characters in the trilogy who are returning for more include Niobe (Jada Pinkett Smith) and The Merovingian (Lambert Wilson), but again, how they’re connected to this new story isn’t something I’m willing to screw up. .
As for these newcomers, they include the insightful hacker Bugs (Jessica Henwick), a rogue program (Yahya Abdul-Mateen II) designed in the image of one of Neo’s most trusted mentors and allies, and the concerned therapist. Anderson, known only as “The Analyst” (Neil Patrick Harris). There’s also Groff, and I’ll say a little bit about him: his character has an unknown strength lurking within that is revealed when the illusions that separate fantasy and reality dematerialize, making Anderson’s business partner. a viral force of chaos that a time triggered cannot be easily controlled.
Control. Perhaps this is the word of the hour. Who has? Is control really possible? Are the destinations set in stone? Or can a person’s fate be decided in a way that goes beyond any individual decision? Maybe control is an illusion, so fleeting and undefined that the reality a person lives in makes them oblivious to everything that is going on outside of their personal stratosphere?
In the end, as strangely brazen and overtly political as the underlying subtext of Neo’s last trip through the looking glass is, it remains an epic love story. Wachowski paints in broad, colorful strokes, showing the types of large emotional motifs that would fit perfectly into a 1950s melodrama by Douglas Sirk like Written on the Wind or All That Heaven Allows. This series has always put the romance of Neo and Trinity at the forefront, and it’s also the focal point of everything that happens in this issue.
Nostalgia is a weapon in Matrix Resurrections. Wachowski knows the public has been pushed into a state of comatose boredom, in which it is nearly impossible to let go of the past. Disagreements cannot become debates. Discussions turn into screaming clashes. Lies are not called for what they are, on the contrary, they inexplicably bear the weight of the truth. Shots are made from fabrication without a shot being fired.
The director asks viewers to break through that façade, to see how businesses and governments have used all of this and more to subject the masses to a state of unsatisfied complacency. Wachowski tries to open his eyes and hearts. She does this by embracing the power of a love that is selfless in her dedication to the needs of others and understanding in her compassionate ability to separate lies, revealing ancient truths that should never have been forgotten.
“The choice is an illusion”. It’s hard to reveal plot points in a movie you barely understand, but I think the spoilers apply to those who don’t want their card stamped at all; The bottom line is that The Matrix’s fourth film is more of a reboot than a sequel, and possibly the most consistent film in the sequel since the first. When I saw the first movie on opening weekend, I was as impressed as everyone with the lofty concept (our reality is not reality) and the huge, kinetic action sequences and who appeal to the public. But in parts two and three, it became apparent that the creators of The Matrix were more interested in quasi-religious pretensions, black leather raves, crazy machines, lengthy monologues, and robotic jellyfish. The second time, it was almost bearable; the third was nothing. Fortunately, the fourth Matrix chooses to go through another rabbit hole …
With an impressive start, Lana Wachowski’s film shows John Anderson (Keanu Reeves) working as a game designer in San Francisco; he is the author of a successful IP known as The Matrix, which has provided a trilogy of blockbuster games. Warner Brothers forces him to consider a fourth Matrix and sends him to focus groups to discuss what made the original Matrix trilogy work, in which he meets Tiffany (Carrie-Anne Moss) at a coffee shop and the find… familiar. This is a playful postmodern start to a reality-questioning film, and in the first hour or so, Resurrections strikes the right balance between conscious humor and flashy, colorful action; an RPG fight on a Tokyo bullet train has a slight sense of outrage. Things always fall a bit in the Matrix movies when we glide through the looking glass into the land of robotic jellyfish, and the technobabble monologues start in earnest. But there are still some spectacular action scenes to savor, battle in a church and a motorbike to the end of a skyscraper, and it all feels like an upgrade; As Bugs (Jessica Henwick) puts it, “We don’t have to run to the phone boxes anymore.”
After throwing away most of the dead weight of the trilogy, a few new ingredients fall into place; purists, if they exist, may laugh at the Morpheus and Smith redesign, but the key cast redesign is not against the rules of the Matrix concept, and Jonathan Groff, like fellow Broadway star Neil Patrick Harris in as Anderson’s therapist, has the other right side. worldly quality for roles that were initially impenetrable. Reeves is still a great center for this kind of crazy story; he’s an eternally cool AF like Neo. And Moss adds a special touch to the key role of Trinity, now called Tiffany, as her father is a fan of Audrey Hepburn. These flowery details may praise those who are only there for guns and ammunition, but Resurrections certainly takes the franchise in new directions before reaching a conventional but satisfying climax.