Overhauled: Final Cut Pro X
Apple’s recent release of Final Cut Pro X (FCPX) is mainly responsible for a substantial amount of controversy. Many additional features and speed improvements have been added, however, many more features are conspicuously missing. Further, this latest release is not backward appropriate for any previous versions. How come it’s so different and what is Apple’s idea? Here’s the news.
Older versions of ultimate Cut Pro were built with all the Carbon application programming interface (API), which limited programs to 32-bit, thereby limiting available memory to 4GB. In a time where base MacBook Pros come with 4GB of memory and dual-core, 64-bit processors, that’s a serious limitation. Apple’s latest API, called Cocoa, enables the use of 64-bit architecture, eliminating memory bottlenecks, which necessitated a complete rewrite of Final Cut Pro. Because FCPX is a complete rewrite using Cocoa, it’s able to operate considerably faster on current hardware and uses multi-core processors.
By the variety of professional features conspicuously missing, FCPX was probably written primarily for speed with plans to add more features afterwards. It currently will not support OMF output, that is commonly used to import audio into ProTools for mixing, or Edit Decision List (EDL) data, an element utilized to move a project into another program for the finishing stage. Multi-cam support and output to tape, a format still employed by professionals, can be missing. Furthermore, there look like no plans to release a latest version of Final Cut Server, that is utilized to permit multiple users to operate over a remotely-stored project simultaneously. Several video formats, including XDCAM and Red, don’t yet have support; due to the complete rewrite, support for every video format must be completely rewritten. Updates adding missing features should start showing up soon, but many professional video editors are, understandably, worried that they’re going to end up within the lurch.
Not everything about FCPX is detrimental news, though; Apple has added several new, user-friendly features for their favorite video production program. The app carries a new Magnetic Timeline feature, which groups audio, video and effects together and permits the designer to maneuver clips around without displacing some of the project. Additionally, FCPX has Content Auto-Analysis, which detects the presence of people in the video and identifies close, medium and wide-angle shots. Compressor 4, the encoding companion program for Final Cut Pro, adds additional export functions, live streaming support and streamlined library settings. Motion 5, FCPX’s motion graphics companion, provides smart motion templates, parameter control and editable Final Cut Pro templates.
FCPX may be the official replacement of Pro 7, but it has also absorbed many features of other Final Cut Studio programs, effectively replacing the suite with one program. Compressor 4 and Motion 5 provide additional features not given by FCPX and can be purchased for $49.99 each about the Mac App Store, Apple’s desktop sort of their groundbreaking mobile app platform. Retailing at $299.99 around the App Store, FCPX has also completely replaced Express, the buyer version of Final Cut Pro. Formerly, Express was $200, with all the Pro version costing $1000. As it’s entirely on the App Store, users should be able to choose the software once and install it on any one of their authorized computers.
Apple’s complete overhaul of ultimate Cut Pro is mainly responsible for quite a stir, however it will be a while before all the features are added, therefore it is challenging to draw an absolute conclusion to date. The reduction of Express and also the reduction of price seem to input it somewhere between someone and professional application. Inspite of the not enough many features used by professional, Pro Express appears to be an excellent choice for someone wanting to start creating their own videos, especially with the newest user-friendly tools added by Apple.