A recent visit to Bank Negara Museum and Gallery led me to think about the relationship between money and art within our national art institutions.

Recently, I was working on a project at Bank Negara Museum & Gallery. While literally waiting for paint to dry (my humble task that day), I decided to walk around the museum, which I’d never visited before. As I made my way through its halls that day and as I began to get deeper into the project that week, I started becoming more cynical about the purpose of art and its institutions.

When I first arrived at BNMAG, I was duly amazed by how stunning it looks from the outside, all well-kept lawns and black tiered fountains and glass facades. In the middle of the museum is a spiral staircase, much like the one at Balai, which is supposed to be like the one at the Guggenheim?, and so from the third floor where I worked, I could lean over the banister and survey portions of the floors below. The first and second floors are the dedicated “museum” sections of the place: there is a section on the history of islamic finance, a section on the history of money, and a section on the history of the bank. …

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ellen

writer, based in kuala lumpur

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