Gabe GalangPortishead’s‘Dummy’ (1994) RetrospectiveVery rarely do records define a whole Color for this writer. My Bloody Valentine’s Loveless and Björk’s Post constantly fight for the…Sep 1, 2022Sep 1, 2022
Gabe GalangPost “Post”Björk Guðmundsdóttir’s second record “Post”(1995) is as it was named, for nothing was the same after its release. Though Björk has been a…Aug 25, 2022Aug 25, 2022
Gabe GalangFatal To Do So (For Whom The Bell Tolls)It’s said that in music, for development to happen, repetition and change must meet in the middle. One could say this also applies to…Aug 18, 2022Aug 18, 2022
Gabe GalangDianne Feinstein, Please Resign!Why is it that in the 42 years since it’s debut as San Francisco’s first full-length punk record, The Dead Kennedys first album “Fresh…Aug 11, 2022Aug 11, 2022
Gabe GalangIf It Ain’t BrokeIt’s been a hundred years since the debut of the Blues as a major cultural pillar of America. A hundred years of black pain, and white…Jul 21, 2022Jul 21, 2022
Gabe Galang“There are no seat-belts, There is no manual”Both the visual and audio components of the film “Koyaanisqatsi : Life Out of Balance”, directed by Godfrey Reggio and score by Phillip…Jul 14, 2022Jul 14, 2022
Gabe GalangA Waltz for OnePoor at love, and big into drinking, Erik Satie was a french impressionist composer of the late 18th century. He was a lonesome bohemian…Jul 7, 2022Jul 7, 2022