George EdwardsDogmatic Genealogy: ‘The Believers’*Reposted from a previous blog entry*Dec 8, 2015Dec 8, 2015
George Edwards‘Complicit’ to the Dark Side*Reposted from a previous blog entry*Dec 8, 2015Dec 8, 2015
George EdwardsThe Campy Delights of ‘The Counselor’As an aesthetic, camp is a curious pop culture entity. What separates it from the merely bad and moves it more toward the transcendent is…Dec 7, 2015Dec 7, 2015
George EdwardsA Trip the Journo Sausage FactoryLast Friday, I had the privilege to visit The Telegraph, one of the UK’s esteemed news publications, as part of a class trip. The tour…Dec 7, 20151Dec 7, 20151
George EdwardsBeautiful Ugliness: HBO’s ‘Gia’ (1998)*Reposted from a previous blog*Dec 4, 2015Dec 4, 2015
George EdwardsJump the Life to Come: ‘Stuart–A Life Backwards’*Reposted from a previous blog*Dec 4, 2015Dec 4, 2015
George EdwardsThe Diaphanous Elegance of ‘Carol.’Barring some sort of miracle (and the jury is still out on those), Carol, the adaptation of Patricia Highsmith’s landmark queer love…Dec 1, 2015Dec 1, 2015
George EdwardsThe Squalling Nature of ‘Nasty Baby’If there is ever a genre (if the word is even appropriate here) that is ripe for mockery, ‘Sundance film’ (as in, films that are popular at…Nov 30, 2015Nov 30, 2015