PinnedG.G. TownsendinCounter ArtsWho is R.M.F? ‘Kinds of Kindness’ explainedThe mysterious character in Yorgos Lanthimos’ traumatic triptychJul 3Jul 3
G.G. TownsendinCounter ArtsBalancing the Biopic: the Truth-Drama Trade-Off in ‘Steve Jobs’Sorkin’s solution to the problem of ‘true story’ filmsJul 17Jul 17
G.G. TownsendThe Fall Guy is about the absolute worst of HollywoodDavid Leitch’s stunt-team tribute explainedMay 144May 144
G.G. TownsendinCounter ArtsAnti-war movies and the politics of A24’s Civil WarWhy are the politics of Civil War so vague? What message is it trying to convey? Is it possible to make a truly anti-war movie?Apr 231Apr 231
G.G. TownsendWrestling with masculinity: The Iron Claw explainedThe Iron Claw gives us a buffet of food for thought about masculinity, trauma cycles, the nature of evil. But what point is it making?Mar 21Mar 21
G.G. TownsendSpectacle vs substance in The Color Purple (2023)Do we need a ‘bold new take’ on Alice Walker’s ‘beloved classic’? Can the musical genre add to Celie’s story, or does it distract from it?Jan 27Jan 27
G.G. Townsend‘Are the shades of Saltburn to be thus polluted?’: A Saltburn reviewEmerald Fennel’s second film — Saltburn — hooks us right from the start. It’s funny, dark, addictive. But it has one glaring problem.Nov 18, 20232Nov 18, 20232
G.G. TownsendThe Creator: a shaky script, beautifully madeGareth Edwards established with Rogue One — and 2014’s Godzilla — that he knows how to craft films that succeed both critically and…Oct 6, 20231Oct 6, 20231
G.G. TownsendPast Lives: pursuing the ‘perfect story’Past Lives is a complex and beautiful film. What is it trying to say? What’s Song’s verdict on love?Sep 11, 20231Sep 11, 20231