Published inFanfareWhy I’d Bring Yoshifumi Kondō Back From the Dead for One More FilmGhibli’s prodigal son was a victim of his own industryMay 4A response icon2May 4A response icon2
Published inCounter ArtsApple’s ‘The Studio’, and Whatever the Hell Disney is DoingThe two types of streaming exclusiveApr 21A response icon1Apr 21A response icon1
Published inCounter ArtsThe Gamification of the OscarsHow to predict the winners of the 2025 awards raceJun 3A response icon1Jun 3A response icon1
Published inCounter ArtsWhy Movies Look Better Now — According to Steven Spielberg and Ethan HawkeWhat film school gets wrong, and why ‘nice looking’ movies aren’t always a good thingDec 17, 2024A response icon2Dec 17, 2024A response icon2
Published inCounter ArtsWhy is ‘Wicked’ in Two Parts? (And Why You Should Be Mad About It)‘Wicked’ has no gravity — and no, that’s not a good thingNov 30, 2024A response icon4Nov 30, 2024A response icon4
Published inCounter ArtsI Spoke to ‘Twilight’s Baseball Consultant, 16 Years LaterLooking back on the creation of YA cinema’s most iconic sports sceneNov 15, 2024Nov 15, 2024
Published inCounter ArtsEverything Denis Villeneuve Said at the London Film Festival, 2024Advice for young filmmakers, working with big names, behind the scenes on Dune, and much, much moreOct 17, 2024A response icon3Oct 17, 2024A response icon3
12 mini reviews from the September-October cinema slateShort form thoughts on Megalopolis, The Substance, A Different Man, and moreOct 11, 2024A response icon1Oct 11, 2024A response icon1
Published inCounter ArtsIs HBO’s ‘Harry Potter’ doomed?What the new casting call tells us about the studio’s plan for the boy who livedSep 13, 2024A response icon7Sep 13, 2024A response icon7
Published inCounter ArtsWhy Are All Music Biopics The Same?From Marley to Mercury, Elvis to Elton — the formula that links them allAug 30, 2024A response icon23Aug 30, 2024A response icon23
