Published inCounter ArtsWhy Movies Look Better Now — According to Steven Spielberg and Ethan HawkeWhat film school gets wrong, and why ‘nice looking’ movies aren’t always a good thingDec 17, 20242Dec 17, 20242
Published inCounter ArtsWhy is ‘Wicked’ in Two Parts? (And Why You Should Be Mad About It)‘Wicked’ has no gravity — and no, that’s not a good thingNov 30, 20244Nov 30, 20244
Published inCounter ArtsI Spoke to ‘Twilight’s Baseball Consultant, 16 Years LaterLooking back on the creation of YA cinema’s most iconic sports sceneNov 15, 2024Nov 15, 2024
Published inCounter ArtsEverything Denis Villeneuve Said at the London Film Festival, 2024Advice for young filmmakers, working with big names, behind the scenes on Dune, and much, much moreOct 17, 20243Oct 17, 20243
12 mini reviews from the September-October cinema slateShort form thoughts on Megalopolis, The Substance, A Different Man, and moreOct 11, 20241Oct 11, 20241
Published inCounter ArtsIs HBO’s ‘Harry Potter’ doomed?What the new casting call tells us about the studio’s plan for the boy who livedSep 13, 20247Sep 13, 20247
Published inCounter ArtsWhy Are All Music Biopics The Same?From Marley to Mercury, Elvis to Elton — the formula that links them allAug 30, 202423Aug 30, 202423
Published inCounter Arts‘House of the Dragon’s Lost EpisodesBehind the scenes on season 2 of HBO’s fiery fantasy epicAug 14, 20242Aug 14, 20242
Published inCounter ArtsPredicting the Next BondA look back (and forward) at one of British cinema’s most iconic exportsAug 3, 20241Aug 3, 20241
