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Detroit67 is the story of the city of Detroit in the most dramatic and creative year in its history. It is the story of Motown, the breakup of The Supremes and the implosion of the most successful African-American record label ever, set against a backdrop of urban riots, escalating war in Vietnam and police corruption. The book weaves through the year as counterculture arrives in Detroit and the city’s other famous group the proto-punk band MC5 go to war with mainstream America. The year ends in intense legal warfare as the threads that bind Detroit together unravel and leave a chaos that scars the city for decades to come.
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Book ID Asin: 0993107508
Book Title: Detroit 67: The Year That Changed Soul
Book Author: Stuart Cosgrove
Book Format and Price:
Book Format Name: Hardcover
Book Format Price: $39.99
Book Format Name: Paperback
Book Format Price: unknown
Book Price: unknown
Book Category: Books, Arts & Photography, Music and unknown
Book Rating: 177 ratings
Detroit 67: The Year That Changed Soul by Stuart Cosgrove Book Review
Name: DancingInYourHead
Rating: 4.0 out of 5 stars
Title: .0 out of 5 stars Important book
Date: Reviewed in the United States on May 10, 2015
Review: This is an incredible book about some of the most important events of music history and American history in general. Cosgrove goes month-by-month through the calendar, explaining what was happening in Detroit music at the time: key events like Florence Ballard’s departure from The Supremes, the July riots, the duets of Marvin Gaye and Tammi Terrell, the eventual departure of the songwriting team Holland-Dozier-Holland from Motown. It’s true that there are a few inaccuracies and inconsistencies, but none of those seriously affect Cosgrove’s narrative or argument. They’re the type of thing that having a better copy editor would have fixed. He’s planning two more books, Memphis ’68 and Harlem ’69. I eagerly await those! But include a more extensive bibliography, discography, and notes next time!
Name: Joe
Rating: 5.0 out of 5 stars
Title: .0 out of 5 stars Great read, full of stuff I didn’t already know/hasn’t …
Date: Reviewed in the United States on April 23, 2016
Review: Great read, full of stuff I didn’t already know/hasn’t been covered (Motown) ad nauseum. Would recommend for any music fan. Can’t wait for the follow-up, “Memphis ‘68” to come out! (it also has a few typos, but nothing to affect its accuracy)
Name: kmc
Rating: 4.0 out of 5 stars
Title: .0 out of 5 stars Very good. A good book for people who were not …
Date: Reviewed in the United States on April 12, 2015
Review: Very good. A good book for people who were not familiar with the riots and motown
Name: Seth Roehl
Rating: 5.0 out of 5 stars
Title: .0 out of 5 stars I am really enjoying this book. Stuart is doing …
Date: Reviewed in the United States on December 20, 2016
Review: I am really enjoying this book. Stuart is doing a deep dive into the Detroit soul music scene including the environment that created the scene.
Name: Christopher Remy
Rating: 3.0 out of 5 stars
Title: .0 out of 5 stars A good read, but
Date: Reviewed in the United States on May 29, 2017
Review: A good read, but, the typos and grammatical errors geez, especially later in the book, it’s like they gave up. Otherwise an interesting and emotional take on the music and social politics of the time period.
Name: Gilbert Merciez
Rating: 1.0 out of 5 stars
Title: .0 out of 5 stars Too many inaccuracies
Date: Reviewed in the United States on April 24, 2015
Review: Book is filled with inaccuracies. I grew up in Detroit and graduated from High School in 1967. I was very familiar with what was going on at that time. There were multiple instances of wrong street names, confusing 12th Street & 14th Street at one point. Identifying the Sheraton Cadillac as the Sheraton Chrysler. One of the characters in the book was described as living next to the Hamtramck Poletown Assembly Plant when it wouldn’t be built for another 15 years. Claiming Jimi Hendrix burned an American flag when it was actually his guitar. Hendrix never burned an American flag. Numerous grammatical mistakes. Cosgrove seemed to try to fit events into 1967 that were from later years. Much of the material on the MC5 was from 1968 & later. John Sinclair was sentenced to 10 years in prison in 1969 and the Free John Sinclair show in Ann Arbor with John Lennon didn’t happen until Dec. 1971. Timeline for some of the events of the riot were not correct. I would often have to put the book down as it made me so angry with the mistakes. It’s very obvious that Cosgrove’s Detroit is only one that he read about. I doubt whether he ever set foot in the city.
Name: Kevin Killian
Rating: 4.0 out of 5 stars
Title: .0 out of 5 stars Towering Inferno
Date: Reviewed in the United States on September 8, 2017
Review: Stuart Cosgrove has written a deep cut sort of book primarily about Motown, but one that takes the time to explore the paradox of an art form that worked beautifully in the midst of personal and sociopolitical nightmare.
The recent Kathryn Bigelow film about the “Algiers Motel Incident” covers some of this ground, rather controversially, but without the music in the foreground. Cosgrove risks ridicule by proposing in page after page that the firing of Florence Ballard from the Supremes parallels what was happening in the USA during 1967, but his general thesis is convincing enough, that the Detroit riots, and the gradual professionalization of Motown, split the city and the music industry into ranks of caste and social class, so that Berry Gordy and Diana Ross wound up leaving Detroit behind for the greener pastures of LA. Stuart Cosgrove has a firm grasp on the history and politics of Detroit, and he loves him his Motown, but at some points one has to wonder if a black journalist might not have been able to serve this material better, just as Bigelow’s film might have been better with a black director? But he can certainly spin many narrative lines at once! For the first time I was able to put it together about the many deaths that plagued Motown during this tumultuous year, and the tragedies such as Tammi Terrell’s onstage collapse.
How is it I never knew that Marvin Gaye began writing his landmark 1971 LP “What’s Going On?” in 1967? (Berry Gordy, his brother in law, tried to dissuade him, telling him he was a pop singer and people didn’t want pop singers jawing about such hot topics as police brutality.) At the back of all the stories we hear not only about racism and economic violence, but we hear always the echoes of VietNam and the protests against an unjust war.
Cosgrove breaks this down month by month, and goes even further by assigning a general topic, sometimes an impressionistic one, to each chapter: August is “Ordeal,” and September is “Surveillance,” for example. This novelistic method works best as a way to tell the story of oversized people, like Gladys Knight, or weird Gothic urban tales like the Algiers Motel murders. Oddly enough, there isn’t enough about the music here. What was it that made Motown so infectious? It’s almost as if Cosgrove avoids employing much critical vocabulary in order to avoid the fanboy drivel that plagues so many 33 1/3 books, but he goes too far in the opposite direction. And he overuses a couple of favorite adjectives, especially “towering.” They’re all of them divas in this book — not only Diana and Martha Reeves, but people like Aretha Franklin and Leni Sinclair. Cosgrove shows how, as the year progresses, anger and despair gave rise at Motown to a new, rockier sound, one with psychedelic edges, and here his hero proves to be the songwriter/producer Norman Whitfield. But in every chapter there are a few Motown singles which you and I have never heard of and he describes them with enough grace to make you want to find them instantly. So I had quite an education reading this book.
Name: Al Abrams
Rating: 5.0 out of 5 stars
Title: .0 out of 5 stars An enthalling and informative look at the beginning of the end of the Motown dynasty
Date: Reviewed in the United States on March 15, 2015
Review: If you think everything informative about the Motown Sound has already been written and published, you are in for a pleasant surprise. Scottish journalist Stuart Cosgrove here presents a fresh take on the configuration of events that involved the record label with the fate of its home town. This was the year of the deadly Detroit riots and it also saw the emergence of counter-culture musical genres in Detroit. Motown, the label, was in as great a state of turmoil as was the city. National media were quick to recognize the emergence in Memphis of the distinctive soul sound of Stax/Volt Records and major newspapers such as the Chicago Daily News now heralded the “Memphis Sound” as they once had extolled the musical virtues of Motown. This is a great read and a welcome addition to anyone’s Motown bookshelf. Highly recommended!
