Glenn RicciinNo ProsceniumBricolage’s ‘Project Amelia’ Envisions A Software-Enabled Future (Review)The interactive production urges audiences to ‘take control’ of a tech culture gone wrongOct 21, 2019Oct 21, 2019
Glenn RicciinNo ProsceniumUncumber Theatrics’ ‘The Stray’ Transforms the Audience into Cats (Review)The Pittsburgh-based immersive theatre company succeeds wildly at its unique flavor of improvOct 14, 2019Oct 14, 2019