Hue Woodson – Medium

Hue Woodson

Hue Woodson

Late Medieval Aesthetics, Sacraments, and the Religious Experience as “Touching the Passion” (A…

Donna L. Sadler’s Touching the Passion (2018) begins by asserting that, in the late medieval period, “the divisions between the five senses…

Apr 15, 2020

Late Medieval Aesthetics, Sacraments, and the Religious Experience as “Touching the Passion” (A…

Apr 15, 2020

Hue Woodson

Pluralism and Ecumenism: The Development of Pluralistic Theology and Ecumenical Ecclesiology in…

In order to properly explore the dynamics of religious/confessional/interdenominational coexistence over the course of the nineteenth…

Mar 19, 2020

Pluralism and Ecumenism: The Development of Pluralistic Theology and Ecumenical Ecclesiology in…

Mar 19, 2020

Hue Woodson

A Play of Forces: Structure, Meaning, and the Hermeneutic Significance of Edgar Allan Poe’s “The…

When reading Edgar Allan Poe’s “The Purloined Letter” (1844), the reader must first confront Poe’s use of the term “purloined,” or…

Mar 19, 2020

A Play of Forces: Structure, Meaning, and the Hermeneutic Significance of Edgar Allan Poe’s “The…

Mar 19, 2020

Hue Woodson

The Bull in the China Shop: How Hitchcock and Welles Use the Blonde Femme Fatale as the Symptom of…

As filmmaking contemporaries, the careers of Alfred Hitchcock (1899–1980) and Orson Welles (1915–1985) could not have begun more…

Mar 18, 2020

The Bull in the China Shop: How Hitchcock and Welles Use the Blonde Femme Fatale as the Symptom of…

Mar 18, 2020

Hue Woodson

On William Blake’s “Milton” and the Aesthetic

Composed roughly from 1804 to 1818, Milton: A Poem were printed in four variants: three dated to 1811 and one dated to 1818 — scholarship…

Mar 16, 2020

Mar 16, 2020

Hue Woodson
in
Lotus Fruit

The Aesthetics of “Innocence” and “Experience”: On Milton, Blake, Kant, and the Books of Genesis…

Songs of Innocence (1789) originally appeared in truncated form as three “songs” as early as 1785, in an unfinished collection entitled An…

Mar 16, 2020

The Aesthetics of “Innocence” and “Experience”: On Milton, Blake, Kant, and the Books of Genesis…

Mar 16, 2020

Hue Woodson

The Aesthetics of William Blake’s “The Marriage of Heaven and Hell” (1790)

The Marriage of Heaven and Hell was chiefly composed in 1790, though all known variants of the text appear in 1794, 1795, 1818, and 1827…

Mar 16, 2020

Mar 16, 2020

Hue Woodson
in
Lotus Fruit

Miltonian Visualizations in William Blake’s “Song of Innocence” (1789)

In the above, the 1789 edition of Songs of Innocence, before it was subsumed into the Songs of Innocence and of Experience of 1795…

Mar 16, 2020

Miltonian Visualizations in William Blake’s “Song of Innocence” (1789)

Mar 16, 2020

Hue Woodson
in
Lotus Fruit

William Blake’s Philosophy of Aesthetics

As an eighteenth-century English poet and visual artist, William Blake (1757–1827) currently occupies a much more important space now in…

Mar 16, 2020

William Blake’s Philosophy of Aesthetics

Mar 16, 2020

Hue Woodson

Hue Woodson

Professor | Philosopher | Theologian | Author of HEIDEGGERIAN THEOLOGIES (2018), A THEOLOGIAN’S GUIDE TO HEIDEGGER (2019), EXISTENTIAL THEOLOGY (2020), and etc.

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